This article's tone or style may not reflect the encyclopedic tone used on Wikipedia. See Wikipedia's guide to writing better articles for suggestions. (June 2020) (Learn how and when to remove this template message)Webcam modelOccupationOccupation type Performing artsActivity sectors Sex industryDescriptionRelated jobs Stripper, pornographic film actor
A webcam model at a 2019 event. A webcam model (colloquial gender-neutral: camodel; female: camgirl; male: camboy) is a video performer who is streamed upon the Internet with a live webcam broadcast. A webcam model often performs erotic acts online, such as stripping, masturbation, or sex acts in exchange for money, goods, or attention. They may also sell videos of their performances.
Since many webcam models operate from their homes, they are free to choose the amount of sexual content for their broadcasts. While most display nudity and sexually provocative behavior, some choose to remain mostly clothed and merely talk about various topics while still soliciting payment as tips from their fans. Webcam models include "women, men, straight, gay, [and] trans" performers.
Once viewed as a small niche in the world of adult entertainment, by 2016, camming became "the engine of the porn industry", according to Alec Helmy, the publisher of XBIZ, a sex-trade industry journal.
A model demonstrates web broadcasting with a video camera and computer at an industry trade show.In 1996 an American college student and conceptual artist, Jenny Ringley, created a website called "JenniCam." Her web camera was located in her dorm room and automatically photographed her every few minutes. The camera captured Ringley doing almost everything – brushing her teeth, doing her laundry, doing stripteases – and then broadcast its images live over the Internet. Later in 1998 she divided her website's access into free and paying.
Also in 1998, a commercial site called AmandaCam was launched. Amanda's site, like Ringley's, had multiple cameras around her house which allowed people to look in on her. However Amanda made an important early discovery that would influence the camming industry for decades to come – that a website's popularity could be greatly increased by enabling viewers to chat with a performer while online. Within her members section, Amanda made it a point to chat with her viewers for over three hours a day. Since the early days of live webcasts by Ringley and Amanda, the phenomenon of camming has grown to become a multibillion-dollar industry which has an average of at least 12,500 cam models online at any given time and more than 240,000 viewers at any given time.
A camming website acts as a middleman and talent aggregator by hosting hundreds of independent models, and verifies that all are at least 18 years old. Camming websites typically fall into two main categories, dependent upon whether their video chat rooms are free or private. In private chat rooms, viewers pay by the minute for a private show. However, in free chat rooms payment is voluntary and is in the form of tips, thus providing the model with an income at a minimal cost for the multiple viewers of her chat room's video stream.
Tips are electronic tokens that viewers can buy from a camming website, and then give to the models during live performances to show appreciation. Tokens can also be used to buy access to private shows, operate a Teledildonic device that a model may be wearing, or used to buy videos and souvenirs from a model. The website provides the transactional platform and then collects and distributes a percentage of the tips to the models. For public chat rooms, the model's portion of a tip is a little less than half.
Many of the industry's top webcam models are said to make over $100,000 per year. Webcam performer Cecilia Renee Morrell said she typically makes $1,500 to $2,000 per month, with her top-earning month during a busy period being $6,000. Webcam performer Wes Myers says the most he has made is $2,000 per month. Webcam model Clara Joy says she makes $8,000 per month. Webcam model Nikki Night says that she worked 12 hours a day and six to seven days a week when she entered the industry.
Performances can be highly interactive in both public and private video chat rooms. Customers and performers are able to communicate with each other by using keyboard, speech, and two-way cameras. Within public chat rooms the audience can see tips and viewer comments as scrolling text which appears next to the real-time video stream. Camgirls will frequently read and respond to the scrolling viewer comments. The chatter is constant, and is often led by a small band of regular fans.
This is not the first time that conversational interaction had become a boon for the erotic entertainment industry. In the early 20th century, sociologist Paul Cressey noted that within the hundreds of taxi-dance halls of America, "the traffic in romance and in feminine society" would become available when taxi dancers would offer their companionship and "the illusion of romance" for ten cents a dance.
The Mitchell Brothers O'Farrell Theatre strip club is credited with the invention of the lap dance in 1977 when their new stage, New York Live, pioneered customer-contact shows with strippers that came off the stage and sat in the laps of customers for tips. Enabled with this new revenue stream for strippers, the strip club industry went through a period of extreme growth during the 1980s.
Much of the success of camming owes to its ability to move beyond the borders of erotic video performance, and into the everyday social lives of camming customers. Webcam performers are often highly entrepreneurial, and use mainstream social networking sites such as Twitter, Instagram, Snapchat, Skype, and Tumblr to build and maintain relationships with their customers. Some fans communicate multiple times a day with models through social media.
Unlike traditional pornography, the interactive nature of the camming medium titillates with the promise of virtual friendship. Princeton University sociologist and author of The Purchase of Intimacy, Viviana Zelizer, states of camming: "they're defining a new kind of intimacy. It's not traditional sex work, not a relationship, but something in between."
Cam models perform not just sex work, but also perform through their hosting duties, conveying authenticity, creating and animating fantasies, and managing relationships over time.
Within Cam Girlz, a documentary film about the industry, male fans often say that they come to camming sites as a way to fulfill emotional needs. The film's director, Sean Dunne, states of the fans, "they said it's not like a strip club – it's like a community, and you feel it when you’re in these chat rooms. It's a community and entertainment that goes very far beyond sexuality."
However Dr. Kari Lerum of the University of Washington suggests that men are more open and vulnerable in cam rooms than in strip clubs, and can become very invested in relationships which only exist on the screen. . This proposition was supported by a 2019 study of over 6,000 webcam users by the webcam platform Stripchat. The study found that over 40% of its users had developed significant relationships with their cam models, ranging from friendship to deep emotional connections.
The term webcam is a clipped compound used to combine the terms World Wide Web and video camera.
When webcam models create their live webcasts, they perform the activity known as camming.
A third-party hosting website which transmits multiple webcam models' video-streams is known as a camming site.
Webcam models mostly perform individually in separate video chat rooms, which are frequently referred to as rooms.
The term "camwhore" was first used in print in November 2001; however, the label is considered derogatory and pejorative.
This Venus Berlin event in 2019 shows the camera and laptop setup used by a webcam model.As of 2016, the money generated by camming sites was upwards of US$2 billion annually. The pornography business as a whole is estimated to be about $5 billion. According to the web traffic analysis service Compete.com, LiveJasmin generates more than 9 million unique viewers a month. Similar webcam model hosting sites such as Chaturbate, CAM4 and MyFreeCams.com boast 4.1 million, 3.7 million and 2 million unique monthly visitors, respectively.
The decentralized business model of camming has upended the pornography industry in multiple ways. Camming revenue has been severely cutting into the profits of the pornographic movie business, which has also been eroded for a number of years by piracy and the distribution of free sexual content upon the Internet. Additionally, the pornographic film industry used to be male-dominated except for the performers. But since camming requires only a video camera, broadband service, and computer, there has now been a power reversal and female webcam performers are driving the industry. Todd Blatt, a former pornographic movie producer, has said, "If you're the middle guy who has been eating off this industry for 20 years, it's a big change. The girls don't need anybody."
The new revolution that the decentralized camming industry has brought also challenged many cultural stereotypes concerning both the camgirls and their customers. Ethnography researcher Dr. Theresa Senft became a camgirl for a year while doing four years of research for her 2008 book Camgirls: Celebrity and Community in the Age of Social Networks. Senft has described herself as "the first academic camgirl" while becoming a “camgirl writing about camgirls.” Anna Katzen, a camgirl who has a postgraduate degree from
Harvard, stated during an interview:
The men I meet online rarely fall into the category of anonymous asses who have abandoned all social etiquette, nor do they resemble the pasty, calculator-wristwatch-wearing forebears of chat rooms past. Many, in fact, are successful professionals in their field – whether it be law, the arts or academia. Some of my most popular performances entail me reading erotica, perhaps Anaïs Nin or the Marquis de Sade, in the buff. Oftentimes, the books are gifts from fans, who will probe me for literary analysis, if I don’t probe myself with something else first.
Furthermore, she says that:
I have unwittingly created a powerful 'brand' for myself: the wild intellectual, the bluestocking in garters. 'I came for the tits, but stayed for the intellectual banter,' remarked one of my visitors, and another stated, 'most guys aren’t looking for some airbrushed Barbie. They want real, intelligent girls – like you.'
Webcam models typically make use of third-party websites to stream their real-time video performances on the Internet. Some sites charge viewers a fixed fee per minute, although many allow free access for unregistered visitors. These Internet hosting websites, known as camming sites, take care of the technical work–hosting the video feed broadcast, processing payments, providing an intuitive interface, advertising–so that the cam model only has to focus on the actual shows for their video chat room. Most cam models are independent contractors for camming sites, and are not employees.
By presenting hundreds of different models via individual chat rooms, a camming site becomes a talent aggregator and middleman – but only in the sense that Apple is the middleman for bands selling music on iTunes. Though a camming website may carry many hundreds of models, they frequently provide an interface for the viewer to easily switch between the most-visited models' rooms, and that interface occasionally resembles the multiple channel selection of cable television.
Camming sites typically supply each webcam model with an individual profile webpage where the performer can describe themselves, and more importantly create a virtual store where they can sell items like videos, photos, personal clothing, and memberships to their fan club. The profile page's virtual store creates a stream of passive income, meaning that even if a camgirl is not online and performing, she can still generate money while fans come to the ever-present profile page to purchase its wares. Some of the most popular items are homemade videos that cam models make of themselves. While most these videos are sexual in nature, they often include elements of comedy, fashion, and a narration of their lifestyles.
The affordability of and access to new video recording technology has spawned new variations and genres of pornography since individual women, as well as industry players, can now create content. A profile page might also sell contact information like a personal phone number, a spot on a model's Snapchat contact list, or the ability to send her private messages through a camming site's friends list. The profile page may also suggest tip amounts for real-time performance requests, like a sexy dance, a song request, removal of clothing, or a particular sex act. All prices on a profile page are listed in quantities of tips, which are electronic tokens that the viewer can buy in bunches from the cam site to be given to various models during performance, or in later purchases upon the profile page.
The camming site keeps a percentage of the tips, but the amount varies. Big earners can get a bigger chunk of their tips. Commissions earned by webcam models vary widely by website, but are usually based on a percentage of gross sales, although sometimes they are in the form of a flat fee. They may also earn money through advertising or earn commissions by convincing customers to sign up for membership at adult pornographic paysites. Many sites also encourage viewers to purchase items from online wish lists. Some webcam models cater to particular fetishes, such as a fascination with feet and might earn additional money by selling worn socks to patrons.
Camming sites specify rules and restrictions for their cam models, which in turn tend to give the camming site a distinct style and format. For example, one major free-access site, which only allows female models, fosters an environment where the camgirls are not necessarily obligated to do masturbation shows, or even display nudity. Consequently, some of that site's models create a more relaxed "hangout atmosphere" within their rooms that occasionally resembles a talk show. Conversely, another major cam site, which allows men and couples to perform, tends to be more sexual and show-oriented. Other cam site rules might prohibit working in a public place so that the model does not get a public indecency arrest, the way that Kendra Sunderland was charged after her 2014 performance inside the Oregon State University Library. Models who violate a camming site's rules may be subjected to a temporary or permanent ban from the cam site.
Webcam models often rely on social media to interact with existing customers and to meet new customers. This has some potential disadvantages, however, as mainstream social media platforms often have poorly-defined and changing rules that sex workers can inadvertently break. Having a social media account closed for any reason – legitimate or otherwise – can severely affect a performer's ability to earn income.
Some cam models have non-commercial personal web blogs. They use it for contact with fans, blogging about the everyday life of a webcam model, and as a help and guide to would-be models. Because of social stigma attached to this occupation, mainstream media offers no real information about webcam modeling, just sensationalistic news (incidents and accidents, celebrities involvements...). So these blogs are the only window into the life of models.
Events and trade shows such as the Venus Berlin event shown here enable cam models and camming firms to promote their brands.Cam studios allow models to rent facilities outside of their home. These businesses can supply models with video equipment, Internet service, computer, lighting, and furniture. One example was the pornographic film company Kink.com, which rented individual cam studios in the San Francisco Armory by the hour, from 2013 until the building was sold in 2018.
Within some studios the cam models can work by the percentage of business that they bring in, instead of renting studio time. The cam models do not have to pay to join this type of studio, but they are also not guaranteed a salary. These models can typically choose to charge customers between $1 and $15 per minute, and then the studio keeps half of the gross while the model gets the rest.
Another workplace option is called a "camgirl mansion", which is a place that provides equipment and broadcast rooms where multiple camgirls can live and share expenses, but without a studio owner.
Various support websites supply general information about business strategies, upcoming conferences, tips for performance, and reviews of studio equipment. Support sites also give advice about how to protect privacy, discourage piracy, avoid Internet security lapses, and how to prevent financial scams. Some chat websites for cam models provide message boards for the models, which enables them to discuss their work concerns and issues, such as clients who get overly attached.
Conferences and industry trade shows can also aid cam models by allowing cam models to network and meet others in the profession on a personal level. Cam model Nikki Night provides a coaching service for cam models, in which she advises them on business practices that maximize revenues.
Lawrence Walters, a Florida lawyer who is an expert in obscenity law, said that there was nothing inherently illegal about web model camming shows, as long as the models were over 18 and performed at home or in a model's studio.
A sex work researcher, Rachel Stuart, notes an interesting paradox in British law which tends to focus on the uploading of pornographic recordings, but does not deal with erotic performance when streamed upon the Internet through camming. For instance, the Audiovisual Media Services Regulations 2014 ban certain acts from being depicted and uploaded by pornography producers in the United Kingdom, and the Digital Economy Act 2017 seeks to restrict minors’ access to pornographic material online. And yet both laws will have no effect if the performances are streamed as opposed to being recorded. Stuart states of the legal conundrum in England, "Performing an explicitly pornographic act via a webcam carries no repercussions, but if the same show is recorded and uploaded, the performer can be liable to a fine."
In December 2017 the American FCC voted to do away with Net Neutrality rules, which previously ensured that Internet service providers treat all data on the Internet as the same, and to not charge differently by user. But without the Net Neutrality rules, Internet service providers could dramatically increase costs for companies that need significant bandwidth – like
CD Baby is an online music store specializing in the sale of CDs and music downloads from independent musicians to consumers. Like camming's hosting sites, CD Baby is an aggregator of independent performers' digital media in the same way that camming sites enable cam models to sell their videos for tips. Since the free-access business model of the camming industry also relies on large bandwidth, these possible new costs could eventually be passed on to camming hosting sites, as well as to the cam models themselves. A politically alert camgirl, Melonie, states: "How many camgirls and webcam customers are going to be able to afford a $200+ monthly bill from their ISP for a high bandwidth connection capable of HD video streaming? How many camgirls are going to be able to continue to devote time to create webcam host programming if the payout percentage is reduced from 30% to 15%?" As of early 2018, the new ruling has yet to be leveraged by ISP's to increase costs. However bandwidth hungry companies like Netflix and CD Baby nervously await the eventual Internet service providers' response to the new FCC ruling that they lobbied so hard to bring about.
While the conduct of webcam models' clients in chat rooms has been described as generally civil and polite, some models have faced "aggressive sexual language" and online harassment. In 2012, a group of 4chan users harassed a webcam model about her weight until she began crying on camera. Even clients who are polite can behave in ways that makes models feel uncomfortable, such as when clients become overly attached to, or obsessive, about a model; if the client is a regular customer and a heavy tipper, this can make the model feel pressured to give in to the client's requests. Webcam models have occasionally been the targets of cyber-stalkers and blackmailers. Some cam models have been "blackmailed or threatened into performing acts they are not comfortable with. If they don't comply, they run the risk of having their real identity exposed".
In one case, Internet trolls revealed the real name, address and phone number of a webcam performer and posted this information, along with explicit photos of her, on social media, and the account was forwarded to her friends and family. As of 2019, it was reported that there is little legal protection for cam models, as most of the case law deals with the regulation of strip clubs and sex shops, or for distribution of products. Sex work researcher, Rachel Stuart, reported that while doing her PhD research she encountered webcam models who were concerned about viewers filming and sharing their performances on porn sites, or acquiring personal information which could be used to stalk or blackmail them. In 2013, the New York Times interviewed a woman who prefers to conceal her real identity while working as a camgirl. She revealed that she had been cyber-stalked by a heavy tipper who started making threats and demands about what outfits she should wear. A short while later, she found out that her real name and address had been posted on the Internet along with her cam name. When she complained to the police, they said that they could do nothing, because "putting real information on the Internet is not illegal." She later found out that the same individual had also threatened and outed several other camgirls.
Another issue faced by cam models is that viewers may record streams or images of the model without their consent and then redistribute them on pornography websites. In addition to taking away the model's ability to choose where their content is shown, unauthorized use has been likened to theft of the model's property, since the porn site will earn money from the video and not the cam model.
In October 2014, a 19-year-old Oregon State University student, Kendra Sunderland, had been working as a camgirl before she made an hour-long video for MyFreeCams.com of herself at the Oregon State University Library, in which she stripped and masturbated on camera for a live audience. She was then charged with public indecency after the show was recorded by someone who was watching MyFreeCams.com online, and then posted it on other sites. Sunderland faced fines up to $6,250 and one year of jail. She pleaded guilty, paid $1,000, and avoided jail. The incident generated headlines around the country and landed Sunderland reported deals with Playboy, and a contract with Penthouse's parent company Friend Finder Networks purportedly worth six figures. The incident greatly increased Sunderland's popularity, and she has continued to do camming and speak positively of it as a career.
In Arizona during 2015, a fan took his appreciation of camgirls to an illegal level when he was indicted for spending $476,000 on a company credit card, which he used for tips on camming websites. He spent more than $100,000 on MyFreeCams.com alone, and sent $26,800 to one cam model in particular to pay for her college tuition bill and new tires for her car. According to the indictment, he also purchased flowers, chocolates, electronic equipment, shoes, a TV, a handbag, laptop computer, and an iPod for some of his favorite camgirls.
A New York Times report described the story of Justin Berry, a 13-year-old boy who, after hooking up his webcam and listing himself on an online forum in order to make friends, was propositioned by older men to strip and masturbate on camera. CNN referred to him as "in the language of cyberspace... a cam-whore". He started his own paysite, prostituted himself, sold video recordings of his encounters with Mexican prostitutes, and helped hire other underage models. He made several hundred thousand dollars over five years before turning all information over to prosecutors in exchange for immunity.
In one case, sex traffickers who operated illegal brothels forced an indentured victim to have sex in webcam shows.
Cybersex, also called computer sex, Internet sex, netsex and, colloquially, cyber or cybering, is a virtual sex encounter in which two or more people connected remotely via computer network send each other sexually explicit messages describing a sexual experience. In one form, this fantasy sex is accomplished by the participants describing their actions and responding to their chat partners in a mostly written form designed to stimulate their own sexual feelings and fantasies. Cybersex often includes real life masturbation. Environments in which cybersex takes place are not necessarily exclusively devoted to that subject, and participants in any Internet chat may suddenly receive a message of invitation. The quality of a cybersex encounter typically depends upon the participants' abilities to evoke a vivid, visceral mental picture in the minds of their partners. Imagination and suspension of disbelief are also critically important. Cybersex can occur either within the context of existing or intimate relationships, e.g. among lovers who are geographically separated, or among individuals who have no prior knowledge of one another and meet in virtual spaces or cyberspaces and may even remain anonymous to one another. In some contexts cybersex is enhanced by the use of a webcam to transmit real-time video of the partners. Non-consensual cybersex occurs in cybersex trafficking crimes.
Cybersex is commonly performed in Internet chat rooms (such as IRC, talkers or web chats) and on instant messaging systems. It can also be performed using webcams, voice chat systems like Skype, or online games and/or virtual worlds like Second Life or VRChat. The exact definition of cybersex—specifically, whether real-life masturbation must be taking place for the online sex act to count as cybersex—is up for debate. It is also fairly frequent in online role-playing games, such as MUDs and MMORPGs, though approval of this activity varies greatly from game to game. Some online social games like Red Light Center are dedicated to cybersex and other adult behaviors. These online games are often called AMMORPGs.
Cybersex may also be accomplished through the use of avatars in a multiuser software environment. It is often called mudsex or netsex in MUDs. In TinyMUD variants, particularly MUCKs, the term TinySex (TS) is very common.
Though text-based cybersex has been in practice for decades, the increased popularity of webcams has raised the number of online partners using two-way video connections to "expose" themselves to each other online—giving the act of cybersex a more visual aspect. There are a number of popular, commercial webcam sites that allow people to openly masturbate on camera while others watch them. Using similar sites, couples can also perform on camera for the enjoyment of others.
In online worlds like Second Life and via webcam-focused chat services, however, Internet sex workers engage in cybersex in exchange for both virtual and real-life currency.
Cybersex provides various advantages:
Cybersex allows real-life partners who are physically separated to continue to be sexually intimate. In geographically separated relationships, it can function to sustain the sexual dimension of a relationship in which the partners see each other only infrequently face to face. Also, it can allow partners to work out problems that they have in their sex life that they feel uncomfortable bringing up otherwise.
Cybersex allows for sexual exploration. For example, it can enable participants to act out fantasies which they would not act out (or perhaps would not even be realistically possible) in real life through roleplaying due to physical or social limitations
It takes less effort and fewer resources on the Internet than in real life to connect to a person like oneself or with whom a more meaningful relationship is possible.
Criticism
Cybersex is often criticized because the partners frequently have little verifiable knowledge about each other. For many the primary point of cybersex is the plausible simulation of sexual activity, and this knowledge of the other is not always desired, but this is also criticized as the emptying out of embodied relations.
Without continuing to draw off our historically ambivalent faith in embodied relations, techno-sex quickly becomes hollow, unsatisfying, no more erotic than collecting answers to what-are-your-measurements questions. And herein lies the rub, or so we will argue. By continuing to draw off that ambivalent faith, techno-sex and the many other practices of disembodying interaction contribute to a changing and increasingly abstracted dominant ontology of embodiment.
Privacy concerns are a difficulty with cybersex, since participants may log or record the interaction without the other's knowledge, and possibly disclose it to others or the public.
There is disagreement over whether cybersex is a form of infidelity. While it does not involve physical contact, critics claim that the powerful emotions involved can cause marital stress, especially when cybersex culminates in an Internet romance. In several known cases, Internet adultery became the grounds for which a couple divorced. Therapists report a growing number of patients addicted to this activity, a form of both Internet addiction and sexual addiction, with the standard problems associated with addictive behavior.
Cybersex trafficking is the live streaming of coerced sexual acts and or rape. Victims are abducted, threatened, or deceived and transferred to 'cybersex dens.' The dens can be in any location where the cybersex traffickers have a computer, tablet, or phone with internet connection. Perpetrators use social media networks, videoconferences, pornographic video sharing websites, dating pages, online chat rooms, apps, dark web sites, and other platforms. They use online payment systems and cryptocurrencies to hide their identities. Millions of reports of its occurrence are sent to authorities annually. New laws and police procedures are needed to combat this type of cybercrime.
A webcam model (colloquially, camgirl, camboy, or cammodel) is a video performer who streams on the Internet with a live webcam broadcast. A webcam model often performs erotic acts online, such as stripping, masturbation, or sex acts in exchange for money, goods, or attention. They may also sell videos of their performances. Once viewed as a small niche in the world of adult entertainment, camming became "the engine of the porn industry," according to Alec Helmy, the publisher of XBIZ, a sex-trade industry journal.
As many webcam models operate in the comfort of their own homes, they are free to choose the amount of sexual content for their broadcasts. While most display nudity and sexually provocative behavior, some choose to remain mostly clothed and merely talk about various topics, while still soliciting payment as tips from their fans. Webcam models are predominantly women, and also include noted performers of all genders and sexualities.
The conceptual artist Jenny Ringley is considered the first camgirl. In 1996, as a student at Dickinson College, Ringley created a website called "JenniCam". Her webcam was located in her dorm room and automatically photographed her every few minutes. Ringley viewed her site as a straightforward document of her life. She did not wish to filter the events that were shown on her camera, so sometimes she was shown nude or engaging in sexual behavior, including sexual intercourse and masturbation. These images were then broadcast live over the Internet. Two years later, in 1998, she divided her website's access between free and paying.
Also in 1998, a commercial site called AmandaCam was launched. Amanda's site, like Ringley's, had multiple cameras around her house, which allowed people to look in on her. However, Amanda made an important early discovery that would influence the camming industry for decades to come – that a website's popularity could be greatly increased by enabling viewers to chat with a performer while online. Within her members section, Amanda made it a point to chat with her viewers for over three hours a day. Since the early days of live webcasts by Ringley and Amanda, the phenomenon of camming has grown to become a multibillion-dollar industry, which has an average of at least 12,500 cam models online at any given time, and more than 240,000 viewers at any given time.
A camming website acts as an intermediary and aggregator by hosting independent models, and verifies that all are at least 18 years old. Camming websites typically fall into two main categories, dependent upon whether their video chat rooms are free or private. Viewers in private chat rooms pay the performance by the minute. In free chat rooms, payment is voluntary in the form of tips.
Tips are electronic tokens that viewers can buy from a camming website, and then give to the models during live performances to show appreciation. Tokens can also be used to buy access to private shows, operate a Teledildonic device that a model may be wearing, or buy videos and souvenirs from a model. The website provides the transactional platform and then collects and distributes a percentage of the tips to the models. For public chat rooms, the model's portion of a tip ranges from 30% to 70%, depending on the cam site.
A July 2020 survey found the average webcam model in the United States works 18 hours per week, and earns $4,470 per month. Webcam models who work full-time (40 hours per week or more) earn $11,250 per month on average. Top-earning webcam models have a self-reported income of over $312,000 annually, while bottom earners take home as little as $100 per week.
In the United States, webcam models are considered as self-employed workers, and their tax rate is 15.3% (where 12.4% is for social security and 2.9% for Medicare), plus income tax. If a webcam model earns more than $600 in a year, they are sent a 1099 form and are required to report the income to the IRS.
Performances can be interactive in both public and private video chat rooms, as viewers and performers can communicate with each other using a keyboard, speech, and two-way cameras. Within public chat rooms, the audience can see tips and viewer comments as scrolling text next to the real-time video stream. Camgirls will frequently read and respond to the scrolling viewer comments. The chatter is constant and is often led by a small band of regular fans.
This is not the first time conversational interaction has become a boon for the erotic entertainment industry. In the early 20th century, sociologist Paul Cressey noted that within the hundreds of taxi-dance halls of America, "the traffic in romance and feminine society" would become available when taxi dancers would offer their companionship and "the illusion of romance" for ten cents a dance. The Mitchell Brothers O'Farrell Theatre strip club is credited with the invention of the lap dance in 1977 when their new stage, New York Live, pioneered customer-contact shows with strippers that came off the stage and sat in the laps of customers for tips. Enabled with this new revenue stream for strippers, the strip club industry went through a period of extreme growth during the 1980s.
There are often connections between erotic video performance and the everyday social lives of camming customers. Webcam performers are often highly entrepreneurial and use mainstream social networking sites such as Twitter, Instagram, Snapchat, Skype, and Tumblr to build and maintain relationships with their customers. Some fans communicate multiple times a day with models through social media.
Unlike traditional pornography, the interactive nature of the camming medium titillates with the promise of virtual friendship. Princeton University sociologist and author of The Purchase of Intimacy, Viviana Zelizer, states of camming: "they're defining a new kind of intimacy. It's not traditional sex work, not a relationship, but something in between." In addition to performing sex work, cam models also perform through their hosting duties, conveying authenticity, creating and animating fantasies, and managing relationships over time.
Within Cam Girlz, a documentary film about the industry, male fans often say that they come to camming sites as a way to fulfill emotional needs. The film's director, Sean Dunne, states of the fans, "they said it's not like a strip club – it's like a community, and you feel it when you're in these chat rooms. It's a community and entertainment that goes very far beyond sexuality."
However, Dr Kari Lerum of the University of Washington suggests that men are more open and vulnerable in cam rooms than in strip clubs, and can become very invested in relationships which only exist on the screen. This proposition was supported by a 2019 study of over 6,000 webcam users by the webcam platform Stripchat. The study found that over 40% of its users had developed significant relationships with their cam models, ranging from friendship to deep emotional connections.
The term webcam is a clipped compound used to combine the terms World Wide Web and video camera.
When webcam models create their live webcasts, they perform the activity known as camming. A third-party hosting website which transmits multiple webcam models' video-streams is known as a camming site. Webcam models mostly perform individually in separate video chat rooms, frequently referred to as rooms.
The term "camwhore" was first used in print in November 2001; however, the label is considered derogatory and pejorative. The term has also been used pejoratively towards non-explicit female streamers on livestreaming platforms such as Twitch and YouTube.
As of 2016, the money generated by camming sites was upwards of US$2 billion annually. The pornography business as a whole is estimated to be about $5 billion. According to the web traffic analysis service Compete.com, LiveJasmin generates more than 9 million unique viewers a month. Similar webcam model hosting sites such as Chaturbate, CAM4, and MyFreeCams boast 4.1 million, 3.7 million and 2 million unique monthly visitors, respectively. Certain hosting sites such as the aforementioned Chaturbate, LiveJasmin, ManyVids, and many other providers also offer payment in cryptocurrency.
The decentralized business model of camming has upended the pornography industry in multiple ways. Camming revenue has been severely cutting into the profits of the pornographic movie business, which has also been eroded for several years by piracy and the distribution of free sexual content on the Internet. The pornographic film industry used to be male-dominated, except for the performers. Since camming requires only a video camera, broadband service, and a computer, there has now been a power reversal, and female webcam performers are driving the industry. Todd Blatt, a former pornographic movie producer, has said, "If you're the middle guy who has been eating off this industry for 20 years, it's a big change. The girls don't need anybody."
The new revolution that the decentralized camming industry has brought also challenged many cultural stereotypes concerning both the camgirls and their customers. Ethnography researcher Dr Theresa Senft became a camgirl for a year while doing four years of research for her 2008 book Camgirls: Celebrity and Community in the Age of Social Networks. Senft has described herself as "the first academic camgirl" while becoming a "camgirl writing about camgirls." Anna Katzen, a camgirl who has a postgraduate degree from Harvard, stated during an interview:
Furthermore, she says that:
During the COVID-19 pandemic, the webcamming industry experienced explosive growth. The popular platform OnlyFans reported $2.4 billion in transactions in 2020, a 600% increase from 2019. This was driven in part by a large influx of new creators with little or no previous experience in sex work who joined the platform due to unemployment.
Webcam models typically make use of third-party websites to stream their real-time video performances on the Internet. Some sites charge viewers a fixed fee per minute, although many allow free access for unregistered visitors. These Internet hosting websites, known as camming sites, take care of the technical work – hosting the video feed broadcast, processing payments, providing an intuitive interface, advertising – so that the cam model only has to focus on the actual shows for their video chat room. A fee can be charged for service as a percentage of the revenue made by the model. To improve security and anonymity, some webcamming services (such as Live Stars) use blockchain technology to handle the payment and to protect the model's entered personal information. SpankChain is another similar camming site and cryptocurrency.
By presenting hundreds of different models via individual chat rooms, a camming site becomes a talent aggregator and middleman. Though a camming website may carry many hundreds of models, they frequently provide an interface for the viewer to easily switch between the most-visited models' rooms, and that interface occasionally resembles the multiple channel selection of cable television.
Most cam models are independent contractors for camming sites, and are not employees.
Camming sites typically supply each webcam model with an individual profile webpage where the performer can describe themselves and more importantly, create a virtual store where they can sell items like videos, photos, personal clothing, and memberships to their fan club. The profile page's virtual store creates a stream of passive income, meaning that even if a camgirl is not online and performing, she can still generate money while fans come to the ever-present profile page to purchase its wares. Some of the most popular items are homemade videos cam models make of themselves. While most of these videos are sexual in nature, they often include elements of comedy, fashion, and a narration of their lifestyles.
The affordability of and access to new video recording technology has spawned new variations and genres of pornography since individual women, as well as industry players, can now create content. A profile page might also sell contact information like a personal phone number, a spot on a model's Snapchat contact list, or the ability to send her private messages through a camming site's friends list. The profile page may also suggest tip amounts for real-time performance requests, like a sexy dance, a song request, removal of clothing, or a particular sex act. All prices on a profile page are listed in quantities of tips, which are electronic tokens that the viewer can buy in bunches from the cam site to be given to various models during the performance, or in later purchases upon the profile page.
The camming site keeps a percentage of the tips, and the amount varies. Big earners can get a bigger chunk of their tips. Commissions earned by webcam models vary widely by website and are usually based on a percentage of gross sales, although sometimes they are in the form of a flat fee. They may also earn money through advertising or commissions by persuading customers to sign up for membership at adult pornographic paysites. Many sites encourage viewers to purchase items from online wish lists. Some webcam models cater to particular fetishes, such as a fascination with feet, and might earn additional money by selling worn socks to patrons. Some models will cater to extremely specific fetishes, as customers with uncommon fetishes tend to pay more. This has been criticized as a "race to the bottom," where webcam models will attempt to outdo each other in perversity. In reaction, cam models on websites such as Chaturbate have developed a culture discouraging engagement in fetishes they consider demeaning.
Camming sites specify rules and restrictions for their cam models, which in turn tend to give the camming site a distinct style and format. For example, one major free-access site, which only allows female models, fosters an environment where the camgirls are not necessarily obligated to do masturbation shows or even display nudity. Consequently, some of that site's models create a more relaxed "hangout atmosphere" within their rooms that occasionally resembles a talk show. Conversely, another major cam site, which allows men and couples to perform, tends to be more sexual and show-oriented. On some sites, models are not required to show their face on the webcam stream (thus allowing the use of veils, masks, ...). Other cam site rules might prohibit working in a public place so that the model does not get a public indecency arrest, the way that Kendra Sunderland was charged after her 2014 performance inside the Oregon State University Library. Models who violate a camming site's rules may be subjected to a temporary or permanent ban from the cam site.
Webcam models often rely on social media to interact with existing customers and to meet new customers. This has potential disadvantages; however, mainstream social media platforms often have poorly-defined and changing rules that sex workers can inadvertently break. Having a social media account closed for any reason – legitimate or otherwise – can severely affect a performer's ability to earn income.
Some cam models have non-commercial personal web blogs.
Cam studios allow models to rent facilities outside of their homes. These businesses can supply models with video equipment, Internet service, computer, lighting, and furniture. One example was the pornographic film company Kink.com, which rented individual cam studios in the San Francisco Armory by the hour from 2013 until the building was sold in 2018.
Within some studios, cam models can work by the percentage of business that they bring in, instead of renting studio time. The cam models do not have to pay to join this type of studio and are also not guaranteed a salary. These models can typically charge customers between $1 and $15 per minute, and then the studio keeps half of the gross while the model gets the rest.
Another workplace option is called a "camgirl mansion", which is a place that provides equipment and broadcast rooms, where multiple camgirls can live and share expenses without a studio owner.
Various support websites supply general information about business strategies, upcoming conferences, performance tips, and studio equipment reviews. Support sites also advise on how to protect privacy, discourage piracy, avoid Internet security lapses, and prevent financial scams. Some chat websites for cam models provide message boards for the models, which enables them to discuss their work concerns and issues, such as clients who get overly attached.
Conferences and industry trade shows can also aid cam models by allowing cam models to network and meet others in the profession on a personal level. Cam model Nikki Night provides a coaching service for cam models, in which she advises them on business practices that maximize revenues.
Due to the controversial nature of pornography, camming, like most sex work, is not considered a legitimate form of labor in most developed countries. As a result, cam models do not receive the same benefits and rights as other employees since they are technically independent contractors. This offers cam models some freedom not offered to other laborers but prevents them from demanding better treatment from the websites that host them. However, in-person sex work is treated more harshly since it is illegal in many Western countries, including the United States. Camming is considered slightly different, since it is considered pornography as a virtue of being filmed.
Regulation would be beneficial to camming, since it would prevent cam models from being exploited for their labor. However, regulation could also potentially take away cam models' independence, such as sexual freedom and bodily autonomy. Although in-person sex work such as prostitution can be regulated by policing the streets, online sex work is hard to regulate, due to anonymity, and risk of encroaching on content that is risqué, but not necessarily pornographic. In a study on sex work in East Java, Indonesia where a specific district decriminalized sex work while its surround districts did not, researchers found that anti-prostitution laws decreased the use of condoms, which in effect increased the transmission of sexually transmitted diseases such as HIV.
In accordance with the 1997 penal code, pornography is illegal in China. The law only permits educational or artistic depictions of sexual intercourse. Historically, the law is not interpreted by the government to include pornography under the umbrella of art. As such, camming faces strict regulation on the internet in contrast to Western countries, where its legal distinction protects it from prostitution. However, camming can also be a form of solace for sex workers since it allows them to escape online where they can avoid persecution for their profession.
China has planned to extend anti-camming laws to ASMR. The Chinese government claims that ASMR constitutes pornography, but Chinese ASMR content creators dispute this, arguing that pornographic ASMR represents a different category from non-sexual ASMR.
Sex work is legal in India, but many related elements such as brothels are illegal. Thus, camming is legal in India, but a social stigma remains. There is a narrative that sex workers in India are coerced into their profession, but this is not true of all sex workers. Many sex workers attest that their profession is legitimate labor and should be recognized as such. Due to the illegality of pimping, sex workers like cammers tend to operate independently and thus control their labor and profits.
Sex work is illegal in the Philippines, but enforcement of the law is not strict such that it is quite commonplace. There is a perception that Filipino sex workers are victims of human trafficking, but this isn't always the case. Camming, in particular, is usually consensual and not always explicitly sexual, likening it more to performance than pornography.
Sex work and camming in the United Kingdom is heavily regulated by the government. Sex work is not recognized as legitimate employment by the government. As a result, sex workers are often afraid to report crimes committed against them, making sex work a dangerous occupation. Sex workers, both online and offline, are often subject to stalking, unwanted messages, and other forms of harassment. It is hard to obtain concrete conclusions from studies on sex work in the UK due to its tenuous legality. Most studies are conducted through surveys which are subject to biases.
A sex work researcher, Rachel Stuart, notes a paradox in British law that tends to focus on the uploading of pornographic recordings, but does not deal with erotic performance when streamed upon the Internet through camming. For instance, the Audiovisual Media Services Regulations 2014 ban certain acts from being depicted and uploaded by pornography producers in the United Kingdom, and the Digital Economy Act 2017 seeks to restrict minors' access to pornographic material online, yet both laws will have no effect if the performances are streamed as opposed to recorded. Stuart states of the legal conundrum in England, "Performing an explicitly pornographic act via a webcam carries no repercussions, but if the same show is recorded and uploaded, the performer can be liable to a fine."
Lawrence Walters, a Florida lawyer who is an expert in obscenity law, said that there was nothing inherently illegal about web model camming shows, as long as the models were over 18, and performed at home or in a model's studio.
While the conduct of webcam models' clients in chat rooms has been described as generally civil and polite, some models have faced "aggressive sexual language" and online harassment. In 2012, a group of 4chan users harassed a webcam model about her weight until she began crying on camera. Even clients who are polite can behave in ways that make models feel uncomfortable, such as when clients become overly attached to, or obsessive, about a model; if the client is a regular customer and a heavy tipper, this can make the model feel pressured to give in to the client's requests. Webcam models have occasionally been the targets of cyber-stalkers and blackmailers. Some cam models have been "blackmailed or threatened into performing acts they are not comfortable with. If they don't comply, they run the risk of having their real identity exposed". In one case, Internet trolls revealed the real name, address and phone number of a webcam performer and posted this information, along with explicit photos of her, on social media, and the account was forwarded to her friends and family. As of 2019, it was reported that there is little legal protection for cam models, as most of the case law deals with the regulation of strip clubs and sex shops, or for distribution of products.
Sex work researcher, Rachel Stuart, reported that while doing her PhD research she encountered webcam models who were concerned about viewers filming and sharing their performances on porn sites, or acquiring personal information which could be used to stalk or blackmail them. In 2013, the New York Times interviewed a woman who prefers to conceal her real identity while working as a camgirl. She revealed that she had been cyber-stalked by a heavy tipper who started making threats and demands about what outfits she should wear. A short while later, she found out that her real name and address had been posted on the Internet along with her cam name. When she complained to the police, they said that they could do nothing, because "putting real information on the Internet is not illegal." She later found out that the same individual had also threatened and outed several other camgirls.
Another issue faced by cam models is that viewers may record streams or images of the model without their consent and then redistribute them on pornography websites. In addition to taking away the model's ability to choose where their content is shown, unauthorized use has been likened to theft of the model's property, since the porn site will earn money from the video and not the cam model.
Sex workers have formed support groups where sex workers may give each other advice and possibly cope with harassment and marginalization. The word "camily", a portmanteau of "cam" and "family", refers to communities formed by sex workers to help deal with such issues.
A New York Times report described the story of Justin Berry, a 13-year-old boy who, after hooking up his webcam and listing himself on an online forum in order to make friends, was propositioned by older men to strip and masturbate on camera. CNN referred to him as "in the language of cyberspace... a cam-whore". He started his own paysite, prostituted himself, sold video recordings of his encounters with Mexican prostitutes, and helped hire other underage models. He made several hundred thousand dollars over five years before turning all information over to prosecutors in exchange for immunity.
In October 2014, a 19-year-old Oregon State University student, Kendra Sunderland, had been working as a camgirl before she made an hour-long video for MyFreeCams.com of herself at the Oregon State University Library, in which she stripped and masturbated on camera for a live audience. She was then charged with public indecency after the show was recorded by someone who was watching MyFreeCams.com online, and then posted it on other sites. Sunderland faced fines up to $6,250 and one year of jail. She pleaded guilty, paid $1,000, and avoided jail. The incident generated headlines around the country and landed Sunderland reported deals with Playboy, and a contract with Penthouse's parent company Friend Finder Networks purportedly worth six figures. The incident greatly increased Sunderland's popularity, and she has continued to do camming and speak positively of it as a career.
In Arizona during 2015, a fan took his appreciation of camgirls to an illegal level when he was indicted for spending $476,000 on a company credit card, which he used for tips on camming websites. He spent more than $100,000 on MyFreeCams.com alone, and sent $26,800 to one cam model in particular to pay for her college tuition bill and new tires for her car. According to the indictment, he also purchased flowers, chocolates, electronic equipment, shoes, a TV, a handbag, laptop computer, and an iPod for some of his favorite camgirls.
In one case, sex traffickers who operated illegal brothels forced an indentured victim to have sex in webcam shows.
In January 2019, a 29-year-old Grant Amato killed his father, mother and brother and staged the scene as a murder-suicide, placing the gun by his brother's body. His motivation was an argument with his parents about his infatuation with a webcam model.
Pornography (colloquially known as porn or porno) has been defined as sexual subject material such as a picture, video, text, or audio that is intended for sexual arousal. Made for consumption by adults, pornography depictions have evolved from cave paintings, some forty millennia ago, to virtual reality presentations. A general distinction of adult content is made classifying it as pornography or erotica.
The oldest artifacts considered pornographic were discovered in Germany in 2008 CE and are dated to be at least 35,000 years old. Throughout the history of erotic depictions, various people made attempts to suppress them under obscenity laws, censor, or make them illegal. Such grounds and even the definition of pornography have differed in various historical, cultural, and national contexts. The Indian Sanskrit text Kama Sutra (3rd century CE) contained prose, poetry, and illustrations regarding sexual behavior, and the book was celebrated; while the British English text Fanny Hill (1748), considered "the first original English prose pornography," has been one of the most prosecuted and banned books. In the late 19th century, a film by Thomas Edison that depicted a kiss was denounced as obscene in the United States, whereas Eugène Pirou's 1896 film Bedtime for the Bride was received very favorably in France. Starting from the mid-twentieth century on, societal attitudes towards sexuality became more lenient in the Western world where legal definitions of obscenity were made limited. In 1969, Blue Movie became the first film to depict unsimulated sex that received a wide theatrical release in the United States. This was followed by the "Golden Age of Porn" (1969–1984). The introduction of home video and the World Wide Web in the late 20th century led to global growth in the pornography business. Beginning in the 21st century, greater access to the Internet and affordable smartphones made pornography more mainstream.
Pornography has been vouched to provision a safe outlet for sexual desires that may not be satisfied within relationships and be a facilitator of sexual fulfillment in people who do not have a partner. It has been equated with journalism, as both offer a view into the unknown or the hidden aspects. Pornography use is considered a widespread recreational activity in-line with other digitally mediated activities such as use of social media or video games. Motivations for pornography use may include fantasy, habitual use, mood management, or as part of a relationship. People who regard porn as sex education material were identified as more likely not to use condoms in their own sex life, thereby assuming a higher risk of contracting sexually transmitted infections (STIs); performers working for pornographic studios undergo regular testing for STIs unlike much of the general public. Comparative studies indicate higher tolerance and consumption of pornography among adults tends to be associated with their greater support for gender equality. Among feminist groups, some seek to abolish pornography believing it to be harmful, while others oppose censorship efforts insisting it is benign. A longitudinal study had ascertained that pornography use is not a predictive factor in intimate partner violence. Porn Studies, which began in 2014, is the first international peer-reviewed, academic journal dedicated to critical study of "products and services" deemed pornographic.
Pornography is a major influencer of people's perception of sex in the digital age; numerous pornographic websites rank among the top 50 most visited websites worldwide. Called an "erotic engine", pornography has been noted for its key role in the development of various communication and media processing technologies. For being an early adopter of innovations and as a provider of financial capital, the pornography industry has been cited to be a contributing factor in the adoption and popularization of media related technologies. The accurate economic size of the porn industry in the early twenty-first century is unknown. In 2015, estimates of the worldwide market value stood at US$97 billion, with the US revenue valued at $10 to $12 billion. The US revenue was estimated to have reached at least US$3.3 billion in 2020. Pornography in Japan was estimated to be worth over $20 billion in 2018. The US pornography industry employs numerous performers along with production and support staff, and has its own industry-specific publications: XBIZ and AVN; a trade association, the Free Speech Coalition; a labor union, Adult Performer Advocacy Committee; and award shows, XBIZ Awards and AVN Awards. From the mid-2010s, unscrupulous pornography such as deepfake pornography and revenge porn have become issues of concern.
The word pornography is a conglomerate of two ancient Greek words: πόρνος (pórnos) "fornicators", and γράφειν (gráphein) "writing, recording, or description". In Greek language, the term pornography connotes depiction of sexual activity; no date is known for the first use of the term pornography, the earliest attested, most related word found is πορνογράφος (pornographos) i.e. "someone writing about harlots" in the 3rd century CE work Deipnosophists by Athenaeus.
The oldest published reference to the word pornography as in 'new pornographie,' is dated back to 1638 and is credited to Nathaniel Butter in a history of the Fleet newspaper industry. The modern word pornography entered the English language as the more familiar word in 1842 via French "pornographie," from Greek "pornographos".
The term porn is an abbreviation of pornography. The related term πόρνη (pórnē) "prostitute" in Greek, originally meant "bought, purchased" similar to pernanai "to sell", from the proto-Indo-European root per-, "to hand over" — alluding to act of selling.
The word pornography was originally used by classical scholars as "a bookish, and therefore inoffensive term for writing about prostitutes", but its meaning was quickly expanded to include all forms of "objectionable or obscene material in art and literature". In 1864, Webster's Dictionary published "a licentious painting" as the meaning for pornography, and the Oxford English Dictionary: "obscene painting" (1842), "description of obscene matters, obscene publication" (1977 or earlier).
Definitions for the term "pornography" are varied, with people from both pro- and anti-pornography groups defining it either favorably or unfavorably, thus making any definition very stipulative. Nevertheless, academic researchers have defined pornography as sexual subject material such as a picture, video, text, or audio that is primarily intended to assist sexual arousal in the consumer, and is created and commercialized with "the consent of all persons involved". Arousal is considered the primary objective, the raison d'etre a material must fulfill for it to be treated as pornographic. As some people can feel aroused by an image that is not meant for sexual arousal and conversely cannot feel aroused by material that is clearly intended for arousal, the material that can be considered as pornography becomes subjective.
What constitutes pornography is debatable. Pornography is viewed by historians as a complex cultural formation. However, depictions of a sexual nature existed since prehistoric times as seen in Venus figurines and rock art. People across various civilizations have created works that depicted explicit sex; these include artifacts, music, poetry, and murals among other things that are often intertwined with religious and supernatural themes. The oldest artifacts, including the Venus of Hohle Fels, which is considered to be borderline pornographic, were discovered in 2008 CE at a cave near Stuttgart in Germany, radiocarbon dating suggests they are at least 35,000 years old, belonging to the Aurignacian period.
Vast number of artifacts discovered in ancient Mesopotamia region had explicit depictions of heterosexual sex. Glyptic art from the Sumerian Early Dynastic Period frequently showed scenes of frontal sex in the missionary position. In Mesopotamian votive plaques from the early second millennium (c. 2000 – c. 1500 BCE), a man is usually shown penetrating a woman from behind while she bends over drinking beer through a straw. Middle Assyrian lead votive figurines often portrayed a man standing and penetrating a woman as she rests on an altar. Scholars have traditionally interpreted all these depictions as scenes of hieros gamos (an ancient sacred marriage between a god and a goddess), but they are more likely to be associated with Inanna, the Mesopotamian goddess of sex and sacred prostitution. Many sexually explicit images, including models of male and female sexual organs were found in the temple of Inanna at Assur.
Depictions of sexual intercourse were not part of the general repertory of ancient Egyptian formal art, but rudimentary sketches of heterosexual intercourse have been found on pottery fragments and in graffiti. The final two thirds of the Turin Erotic Papyrus (Papyrus 55001), an Egyptian papyrus scroll discovered at Deir el-Medina, consists of a series of twelve vignettes showing men and women in various sexual positions. The scroll was probably painted in the Ramesside period (1292–1075 BCE) and its high artistic quality indicates that it was produced for a wealthy audience. No other similar scrolls have yet been discovered.
Archaeologist Nikolaos Stampolidis had noted that the society of ancient Greece held lenient attitudes towards sexual representation in the fields of art and literature. The Greek poet Sappho's Ode to Aphrodite (600 BCE) is considered an earliest example of lesbian poetry. Red-figure pottery invented in Greece (530 BCE) often portrayed images that displayed eroticism. The fifth-century BC comic Aristophanes elaborated 106 ways of describing the male genitalia and in 91 ways the female genitalia. Lysistrata (411 BCE) is a sex-war comedy play performed in ancient Greece.
In India, Hinduism embraced an inquisitive attitude towards sex as an art and a spiritual ideal. Some ancient Hindu temples incorporated various aspects of sexuality into their art work. The temples at Khajuraho and Konark are particularly renowned for their sculptures, which had detailed representations of human sexual activity. These depictions were viewed with a spiritual outlook as sexual arousal is believed to indicate the embodying of the divine.
Kama, the word used to connote sexual desire, was explored in Indian literary works such as the Kama Sutra, which dealt with the practical as well as the psychological aspects of human courtship and sexual intercourse. The Sanskrit text Kama sutra was compiled by the sage Vatsyayana into its final form sometime during the second half of the third century CE. This text, which included prose, poetry, as well as illustrations regarding erotic love and sexual behavior, is one of the most celebrated Indian erotic works. Koka shastra is another medieval Indian work that explored kama.
Other examples of early art and literature of sexual nature include: Ars Amatoria (Art of Love), a second-century CE treatise on the art of seduction and sensuality by the Roman poet Ovid; the artifacts of the Moche people in Peru (100 CE to 800 CE); The Decameron, a collection of short stories, some of which are sexual in nature by the 14th-century Italian author Giovanni Boccaccio; and the fifteenth-century Arabic sex manual The Perfumed Garden.
A highly developed culture of visual erotica flourished in Japan during the early modern era. From at least the 17th century, erotic artworks became part of the mainstream social culture. Depictions of sexual intercourse were often presented on pictures that were meant to provide sex education for medical professionals, courtesans, and married couples. Makura-e (pillow pictures) were made for entertainment as well as for the guidance of married couples. The ninth-century Japanese art form "Shunga" that depicted sexual acts on woodblock prints and paintings became so popular by the 18th century that the Japanese government began to issue official edicts against them. Even so, Japanese erotica flourished with the works of artists such as Suzuki Harunobu achieving worldwide fame. Japanese censorship laws enacted in 1870 made the production of erotic works difficult. The laws remained in effect until the end of the Pacific War in 1945; nevertheless, pornography flourished through the sale of "erotic, grotesque, nonsense" (ero-guro-nansensu) periodicals, particularly in the Taishō era (1912–1926). From the 1960s, pink films, which portrayed sexual themes became popular in Japan. In 1981 the first Japanese Adult video (AV) was released. The Japanese pornography industry peaked in the early 2000s when about 30,000 AVs were made a year. From the mid-2010s, increased availability of free porn on the Internet led to a decline in the production of AVs. Other forms of adult entertainment such as hentai, which refers to pornographic manga and anime, and erotic video games have become popular in recent decades.
In Europe, the Italian Renaissance work from the 16th century - I Modi (The Ways) also known as The Sixteen Pleasures became famous for its engravings that explicitly depicted sex positions. The publication of this book was considered the beginning of print pornography in Rome. The second edition of this book was published in 1527, titled Aretino Postures, which combined erotic images with text - a first in the Western culture. The Vatican called for the complete destruction of all the copies of the book and imprisonment of its author Marcantonio Raimondi. With the development of printing press in Europe, the publication of written and visual material, which was essentially pornographic began. Heptaméron written in French by Marguerite de Navarre and published posthumously in 1558 is one of the earliest examples of salacious texts from this era. Beginning with the Age of Enlightenment and advances in printing technology, the production of erotic material became popular enough that an underground marketplace for such works developed in England with a separate publishing and bookselling business. Historians have identified the 18th century as an age of pornographic opulence. Written by anonymous authors, the titles: The Progress of Nature (1744); The History of the Human Heart: or, the Adventures of a Young Gentleman (1749), which had descriptions of female ejaculation; and The Child of Nature (1774) have been noted as prominent pornographic fictional works from this period. The book Fanny Hill (1748), is considered "the first original English prose pornography, and the first pornography to use the form of the novel." An erotic literary work by John Cleland, Fanny Hill was first published in England as Memoirs of a Woman of Pleasure. The novel has been one of the most prosecuted and banned books in history. The author John Cleland was charged for "corrupting the King's subjects."
At around the same time, erotic graphic art that began to be extensively produced in Paris came to be known in the Anglosphere as "French postcards". Enlightenment-era France had been noted by historians as the center of origin for modern-era pornography. The works of French pornography, which often concentrated on the education of an ingénue into libertine, dominated the sale of sexually explicit content. The French sought to interlace narratives of sexual pleasure with philosophical and anti-establishment basis. Political pornography began with the French Revolution (1789–99). Apart from the sexual component, pornography became a popular medium for protest against the social and political norms of the time. Pornography during this period was used to explore the ideas of sexual freedom for women and men, the various methods of contraception, and to expose the offenses of powerful royals and elites. The working and lower classes in France produced pornographic material en masse with themes of impotency, incest, and orgies that ridiculed the authority of the Church-State, aristocrats, priests, monks, and other royalty. One of the most important authors of socially radical pornography was the French aristocrat Marquis de Sade (1740–1814), whose name helped derive the words "sadism" and "sadist". He advocated libertine sexuality and published writings that were critical of authorities, many of which contained pornographic content. His work Justine (1791) interlaced orgiastic scenes along with extensive debates on the ills of property and traditional hierarchy in society.
When large-scale archaeological excavations were undertaken in the ancient Roman city of Pompeii during the 18th century, much of the erotic art in Pompeii and Herculaneum came to light, shocking the authorities who endeavored to hide them away from the general public. In 1821, the moveable objects were locked away in the Secret Museum in Naples, and what could not be removed was either covered or cordoned off from public view.
During the Victorian era (1837–1901), the invention of the rotary printing press made publication of books easier, many works of lascivious nature were published during this period often under pen names or anonymity. In 1837, the Holywell Street (known as "Booksellers' Row") in London had more than 50 shops that sold pornographic material. Many of the works published in the Victorian era are considered bold and graphic even by today's lenient standards. The English novel The Adventures, Intrigues, and Amours, of a Lady's Maid! written by anonymous "Herself" (c. 1838) professed the notion that homosexual acts are more pleasurable for women than heterosexuality which is linked to painful and uncomfortable experiences. Some of the popular publications from this era include: The Pearl (magazine of erotic tales and poems published from 1879 to 1881); Gamiani, or Two Nights of Excess (1870) by Alfred de Musset; and Venus in Furs (1870) by Leopold von Sacher-Masoch, from whose name the term "masochism" was derived. The Sins of the Cities of the Plain (1881) is one of the first sole male homosexual literary work published in English, this work is said to have inspired another gay literary work Teleny, or The Reverse of the Medal (1893), whose authorship has often been attributed to Oscar Wilde. The Romance of Lust, written anonymously and published in four volumes during 1873–1876, contained graphical descriptions of themes detailing incest, homosexuality, and orgies. Other publications from the Victorian era that included fetish and taboo themes such as sadomasochism and 'cross-generational sex' are: My Secret Life (1888–1894) and Forbidden Fruit (1898). On accusations of obscenity many of these works had been outlawed until the 1960s.
The world's first law that criminalized pornography was the English Obscene Publications Act 1857, enacted at the urging of the Society for the Suppression of Vice. The act passed by the British Parliament in 1857 applied to the United Kingdom and Ireland. The act made the sale of obscene material a statutory offense, and gave the authorities the power to seize and destroy any material which they considered as obscene.
For centuries before, sexually explicit material was considered a domain that is exclusive to aristocratic classes. When pornographic material flourished in the Victorian-era England, the affluent classes believed they are sensible enough to deal with it, unlike the lower working classes whom they thought would get distracted by such material and cease to be productive. Beliefs that masturbation would make people ill, insane, or become blind also flourished. The obscenity act gave government officials the power to interfere in the private lives of people unlike any other law before. Some of the people suspected for masturbation were forced to wear chastity devices. "Cures" and "treatment" for masturbation involved such measures like giving electric shock and applying carbolic acid to the clitoris. The law was criticized for being established on still yet unproven claims that sexual material is noxious for people or public health.
In 1865, the US postal service was seen as a "vehicle" for the transmission of materials that were deemed obscene by the American lawmakers. An act relating to the postal services was passed, which made people pay a fine of $500 for knowingly mailing any "obscene book, pamphlet, picture print, or other publication". From 1865 to up until the first three months of 1872, a total number of nine people were held for various charges of obscenity, with one person sentenced to prison for a year; while in the next ten months fifteen people were arrested under this law. This was partly due to the efforts of Anthony Comstock, who became a major figure in 1872 and held great power to control sexual related activities of people including the choice of abortion. The Comstock Act of 1873 is the American equivalent of the English Obscene Act. The anti-obscenity bill, drafted by Anthony Comstock, was debated for less than an hour in the US Congress before being passed into law. Apart from the power to seize and destroy any material alleged to be obscene, the law made it possible for the authorities to make arrests over any perceived act of obscenity, which included possession of contraceptives by married couples. Reportedly in the US, 15 tons of books and 4 million pictures were destroyed, and about 15 people were driven to suicide with 4,000 arrests. At least 55 people whom Comstock identified as abortionists got indicted under the Comstock act.
The laws regarding pornography have differed in various historical, cultural, and national contexts. The English Act did not apply to Scotland where the common law continued to apply. Before the English Act, publication of obscene material was treated as a common law misdemeanor, this made effectively prosecuting authors and publishers difficult even in cases where the material was clearly intended as pornography. However, neither the English, nor the United States Act defined what constituted "obscene", leaving this for the courts to determine. For implementing the Comstock act, the US courts used the British Hicklin test to define obscenity, the definition of which was first proposed in 1868, ten years after the passing of the English obscene act. The definition became cemented in 1896 and continued until the mid-twentieth century. Starting from 1957 to 1997, the US Supreme Court made numerous judgments that redefined obscenity.
The nineteenth-century legislation eventually outlawed the publication, retail and trafficking of certain writings and images that were deemed pornographic. Although laws ordered the destruction of shop and warehouse stock meant for sale, the private possession and viewing of (some forms of) pornography was not made an offense until the twentieth century. Historians have explored the role of pornography in determining social norms. The Victorian attitude that pornography was only for a select few is seen in the wording of the Hicklin test, stemming from a court case in 1868, where it asked: "whether the tendency of the matter charged as obscenity is to deprave and corrupt those whose minds are open to such immoral influences".
Although officially prohibited, the sale of sexual material nevertheless continued through "under the counter" means. Magazines specialising in a genre called "saucy and spicy" became popular during this time (1896 to 1955), titles of few popular magazines include; Wink: A Whirl of Girls, Flirt: A FRESH Magazine, and Snappy. Cover stories in these magazines featured segments such as "perky pin-ups" and "high-heel cuties". Some of the popular erotic literary works from the twentieth century include the novels: Story of the Eye (1928), Tropic of Cancer (1934), Tropic of Capricorn (1938), the French Histoire d'O (Story of O) (1954); and the short stories: Delta of Venus (1977), and Little Birds (1979).
After the invention of photography, the birth of erotic photography followed. The oldest surviving image of a pornographic photo is dated back to about 1846, described as to depict "a rather solemn man gingerly inserting his penis into the vagina of an equally solemn and middle-aged woman". At one point of time, it was more expensive to purchase an erotic photograph than to hire a prostitute. The Parisian demimonde included Napoleon III's minister, Charles de Morny, an early patron who delighted in acquiring and displaying erotic photos at large gatherings.
Pornographic film production commenced almost immediately after the invention of the motion picture in 1895. A pioneer of the motion picture camera, Thomas Edison, released various films, including The Kiss that were denounced as obscene in late 19th century America. Two of the earliest pioneers of pornographic films were Eugène Pirou and Albert Kirchner. Kirchner directed the earliest surviving pornographic film for Pirou under the trade name "Léar". The 1896 film, Le Coucher de la Mariée, showed Louise Willy performing a striptease. Pirou's film inspired a genre of risqué French films that showed women disrobing, and other filmmakers realized profits could be made from such films.
Sexually explicit films opened producers and distributors to be liable for prosecution. Such films were produced illicitly by amateurs, starting in the 1920s, primarily in France and the United States. Processing the film was risky as was their distribution, which was strictly private. In the Western world, during the 1960s, social attitudes towards sex and pornography slowly changed. In 1967, Denmark repealed the obscenity laws on literature; this led to a decline in the sale of pornographic and erotic literature. Hoping for a similar effect, in the summer of 1969, legislators in Denmark abolished censorship on picture pornography, thereby effectively becoming, from July 1, 1969, the first country that legalized pornography, including child pornography, which was later prohibited in 1980. The 1969 legislation, instead of resulting in a decline in pornography production, led to an explosion of investment in, and commercial production of pornography in Denmark, which made the country's name synonymous with sex and pornography. The total retail turnover of pornography in Denmark for the year 1969 was estimated at $50 million. Much of the pornographic material produced in Denmark was smuggled into other countries around the world.
In the United States, pornography is protected by the First Amendment to the United States Constitution unless it constitutes obscenity or child pornography that is produced with real children. Nevertheless, in Stanley v. Georgia (1969), the U.S. Supreme Court upheld the right of an adult to possess obscene material in private. Subsequently, however, the Supreme Court rejected the claim that under Stanley there is a constitutional right to provide obscene material for private use or to acquire it for private use. The right to possess obscene material does not imply the right to provide or acquire it, because the right to possess it "reflects no more than ... the law's 'solicitude to protect the privacies of the life within [the home]'".
In 1969, Blue Movie by Andy Warhol became the first feature film to depict explicit sexual intercourse that received a wide public theatrical release in the United States.
Film scholar Linda Williams remarked that prurience "is a key term in any discussion of moving-image sex since the sixties. Often it is the "interest" to which no one wants to own up". In 1968, the Motion Picture Association of America created a new film ratings system in which any film that was not approved by the association was released with an "X" rating. When pornographers began to release their productions with the rating X, the association adopted NC-17 rating for adults only films, leaving the X rating to pornography. Later the invented gimmick rating "XXX" became a standard for pornographic material.
In 1970, the United States President's Commission on Obscenity and Pornography, set up to study the effects of pornography, reported that there was "no evidence to date that exposure to explicit sexual materials plays a significant role in the causation of delinquent or criminal behavior among youths or adults". The report further recommended against placing any restriction on the access of pornography by adults and suggested that legislation "should not seek to interfere with the right of adults who wish to do so to read, obtain, or view explicit sexual materials". Regarding the notion that sexually explicit content is improper, the Commission found it "inappropriate to adjust the level of adult communication to that considered suitable for children". The Supreme Court supported this view.
In 1971, Sweden removed its obscenity clause. Further relaxation of legislations during the early 1970s in the US, West Germany and other countries led to rise in pornography production. The 1970s had been described by Linda Williams as 'the "Classical" Era of Theatrically Exhibited Porn', a time period now called the Golden Age of Porn.
In 1979, the British Committee on Obscenity and Film Censorship better known as the Williams Committee, formed to review the laws concerning obscenity reported that pornography could not be harmful and to think anything else is to see pornography "out of proportion". The committee declared that existing variety of laws in the field should be scrapped and so long as it is prohibited from children, adults should be free to consume pornography as they see fit.
The Meese Report in 1986 argued against loosening restrictions on pornography in the US. The report was criticized as biased, inaccurate, and not credible.
In 1988, the Supreme Court of California ruled in the People v. Freeman case that "filming sexual activity for sale" does not amount to procuring or prostitution and shall be given protection under the first amendment. This ruling effectively legalized the production of X-rated adult content in the Los Angeles county, which by 2005 had emerged as the largest center in the world for the production of pornographic films. Pornographic films appeared throughout the twentieth century. First as stag films (1900–1940s), then as porn loops or short films for peep shows (1960s), followed by as feature films for theatrical release in adult movie theaters (1970s), and as home videos (1980s).
Pornographic magazines published during the mid-twentieth century have been noted for playing an important role in the sexual revolution and the liberalization of laws and attitudes towards sexual representation in the Western world. Hugh Hefner, in 1953 published the first US issue of the Playboy, a magazine which as Hefner described is a "handbook for the urban male". The magazine contained images of nude women along with articles and interviews covering politics and culture. Twelve years later, in 1965, Bob Guccione in the UK started his publication Penthouse, and published its first American issue in 1969 as a direct competitor to Playboy. In its early days, the images of naked women published in Playboy did not show any pubic hair or genitals. Penthouse became the first magazine to show pubic hair in 1970. Playboy followed the lead and there ensued a competition between the two magazines over publication of more racy pictures, a contest that eventually got labeled as the "Pubic Wars".
The tussle between Playboy and Penthouse paled into obscurity when Larry Flynt started Hustler, which became the first magazine to publish labial "pink shots" in 1974. Hustler projected itself as the magazine for the working classes as opposed to the urban centered Playboy and Penthouse. During the same time in 1972, Helen Gurley Brown, editor of the Cosmopolitan magazine, published a centerfold that featured actor Burt Reynolds in nude. His popular pose has been later emulated by many other famous people. The success of Cosmo led to the launch of Playgirl in 1973. At their peak, Playboy sold close to six million copies a month in the US, while Penthouse nearly five million. In the 2010s, as the market for printed versions of pornographic magazines declined, with Playboy selling about a million and Penthouse about a hundred thousand, many magazines became online publications. As of 2005, the best-selling US adult magazines maintained greater reach compared to most other non-pornographic magazines, and often ranked among top-sellers.
Modern-day pornography began to take shape from the mid-1980s when the first desktop computers and public computer networks were released. Since the 1990s, the Internet has made pornography more accessible and culturally visible. Before the 90s, Usenet newsgroups served as the base for what has been called the "amateur revolution" where non-professionals from the late 1980s and early 1990s, with the help of digital cameras and the Internet, created and distributed their own pornographic content independent of mainstream networks. The use of the World Wide Web became popular with the introduction of Netscape navigator in 1994. This development led to newer methods of pornography distribution and consumption. The Internet turned out to be a popular source for pornography and was called the "Triple A-Engine" for offering consumers "anonymity, affordability, and accessibility", while driving the business of pornography. The notion of Internet being a medium abound with porn became popular enough that in 1995 Time published a cover story titled "CYBERPORN" with the face of a shocked child as the cover photo. In the Reno v. ACLU (1997) ruling, the US Supreme Court upheld the legality of pornography distribution and consumption by adults over the Internet. The Court noted that government may not reduce the communication between adults to "only what is fit for children".
With the introduction of broadband connections, much of the distribution networks of pornography moved online giving consumers anonymous access to a wide range of pornographic material. To have better control over their content on the Internet some professional pornographers maintain their own websites. Danni's Hard Drive started in 1995 by Danni Ashe is considered one of the earliest online pornographic websites, coded by Ashe – a former stripper and nude model, the website was reported by CNN to had generated revenues of $6.5 million by 2000. According to some leading pornography providers on the Internet, customer subscription rates for a website would be about one in a thousand people who visit the site for a monthly fees averaging around $20. Ashe said in an interview that her website employs 45 people and she expects to earn $8 million in 2001 alone. The total number of pornographic websites in 2000 were estimated to be more than 60,000. The development of streaming sites, peer-to-peer file sharing (P2P) networks, and tube sites led to a subsequent decline in the sale of DVDs and adult magazines.
Starting in the 21st century, greater access to the Internet and affordable smartphones made pornography more accessible and culturally mainstream. The total number of pornographic websites in 2012 was estimated to be around 25 million comprising 12% of all the websites. About 75 percent of households in the US gained Internet access by 2012. Data from 2015 suggests an increase in pornography consumption over the past few decades which is attributed to the growth of Internet pornography. Technological advancements such as digital cameras, laptops, smartphones, and Wi-Fi have democratized the production and consumption of pornography. Subscription-based service providers such as OnlyFans, founded in 2016, are becoming popular as the platforms for pornography trade in the digital era. Apart from the professional pornographers, content creators on such platforms include others like; a physics teacher, a race car driver, a woman undergoing cancer treatment. In 2022, the total pornographic content accessible online was estimated to be over 10,000 terabytes.
AVN and XBIZ are the industry-specific organizations based in the US that provide information about the adult entertainment business. XBIZ Awards and AVN Awards, analogous to the Golden globes and Oscars, are the two prominent award shows of the adult entertainment industry. Free Speech Coalition (FSC) is a trade association and Adult Performer Advocacy Committee (APAC) is a labor union for the adult entertainment industry based in the US. The scholarly study of pornography notably in cultural studies is limited. Porn Studies, which began in 2014, is the first international peer-reviewed, academic journal that is exclusively dedicated to the critical study of the "products and services" identified to constitute pornography.
Adult content is generally classified as either pornography or erotica. Considerations of distinctness between pornography and erotica is mostly subjective. Pornographic content is categorized as softcore or hardcore. Softcore pornography contains depictions of nudity but without explicit depiction of sexual activity. Hardcore pornography includes explicit depiction of sexual activity. Hardcore porn is more regulated than softcore porn. Softcore porn was popular between the 1970s and 1990s.
Pornography productions cater to consumers of various sexual orientations. Nonetheless, pornography featuring heterosexual acts made for heterosexual consumers, comprise the bulk of what is called the "mainstream porn", marking the industry more or less as "heteronormative".
Mainstream pornography involves professional performers who work for various corporate film studios in their respective productions.
Mainstream pornography productions are usually classified as feature or gonzo. Features involve storylines, characterizations, scripted dialog, elegant costumes, detailed sets, and soundtracks, which make the productions look similar to mainstream Hollywood productions but with the depictions of explicit sexual activity included. Features contain both original narratives as well as parodies that parody mainstream feature films, TV shows, celebrities, video games or literary works. Gonzo is a form of content creation that attempts to put the viewer into the scene, this is commonly achieved by close-up camera work or performers talking to the audience; also called "wall-to-wall", gonzo involves some aspects of "breaking the fourth wall" between the audience and performers. The term "gonzo" is often misused as a genre to identify demeaning depictions, however gonzo is a film-making style and not a genre. Gonzo style is variably incorporated in the creation of all types or genres of adult content. Gonzos do not involve the expensive sets or the costly production values of features, which makes their production relatively inexpensive. From the mid-2010s about 95 percent of porn productions are gonzo.
Pornography productions that are independent of mainstream pornographic studios are classified as indie (or) independent pornography. These productions cater to more specific audience, and often feature different scenarios and sexual activity compared to the mainstream porn. The performers in indie porn include real-life couples and regular people, who sometimes work in partnership with other performers. Apart from content creation the performers do the background work such as videography, editing, web development themselves, and distribute under their own brand. Paysites like Clips4Sale.com, MakeLoveNotPorn.tv, and PinkLabel.tv provide a platform to the web-based content of independent pornographers.
Pornography encompasses a wide variety of genres providing for an enormous range of consumer tastes. Most of the genres or types are named according to the depiction of sexual activity, these include: anal, creampie, cum shot, double penetration, fisting, threesome. Categorizations based on the age of the performers include: teens, milf, mature. Other categorizations based on gender and sexual identity include: lesbian, transsexual, queer, shemale; while those based on race include: ethnic, interracial. Others include: Mormon, zombie. Pornography also features numerous fetishes like: "'fat' porn, amateur porn, disabled porn, porn produced by women, queer porn, BDSM and body modification."
Pornography is commercialized mainly through the sale of pornographic films. Many adult films had theatrical releases during the 1970s corresponding with the Golden Age of Porn. A 1970 federal study estimated that the total retail value of hardcore pornography in the United States was no more than $5 million to $10 million. The release of the VCR by Sony Corporation for the mass market in 1975 marked the shift of people from watching porn in adult movie theaters, to the confines of their houses. The introduction of VHS brought down the production quality through the 1980s.
Starting in the 1990s, Internet eased the access to pornography. The pay-per-view model enabled people to buy adult content directly from cable and satellite TV service providers. According to Showtime Television network report, in 1999 adult pay-per-view services made $367 million, which was six times more than the $54 million earned in 1993. Although this development resulted in a decline in rentals, the revenues generated over the Internet, provided much financial gains for pornography producers and credit card companies among others. By the mid-1990s, the adult film industry had agents for performers, production teams, distributors, advertisers, industry magazines, and trade associations. The introduction of home video and the World Wide Web in the late twentieth century led to global growth in the pornography business. Performers would get multi-film contracts. In 1998, Forrester Research published a report on the online "adult content" industry, estimating annual revenue at $750 million to $1 billion.
Retail stores or sex shops engaged in the sale of adult entertainment material ranging from videos, magazines, sex toys and other products, significantly contributed to the overall commercialization of pornography. Sex shops sell their products on both online shopping platforms such as Amazon and on specialized websites.
Commercialization of pornography |
In 2000, the total annual revenue from the sales and rentals of pornographic material in the US was estimated to be over $4 billion. The hotel industry through the sale of adult movies to their customers as part of room service, over pay-per-view channels, had generated an annual income of about $180-$190 million. Some of the major companies and hotel chains that were involved in the sale of adult films over pay-per-view platforms include; AT&T, Time Warner, DirecTV from General Motors, EchoStar, Liberty Media, Marriott International, Westin and Hilton Worldwide. The companies said their services are in response to a growing American market that wanted pornography delivered at home. Studies in 2001 had put the total US annual revenue (including video, pay-per-view, Internet and magazines) between $2.6 billion and $3.9 billion.
The production and distribution of pornography are economic activities of some importance. In Europe, Budapest is regarded as the industry center. Other pornography production centers in the world are located in Florida (US), Brazil, Czech Republic, and Japan. In the United States, the pornography industry employs about 20,000 people including 2,000 to 3,000 performers, and is centered in the San Fernando Valley of Los Angeles. By 2005, it became the largest pornography production center in the world. Apart from regular media coverage, the industry in the US receives considerable attention from private organizations, government agencies, and political organizations.
As of 2011, pornography was becoming one of the biggest businesses in the United States. In 2014, the porn industry was believed to bring in at least $13 billion on a yearly basis in the United States. Through the 2010s, many pornography production companies and top pornographic websites such as Pornhub, RedTube and YouPorn have been acquired by MindGeek, a company that has been described as "a monopoly" in the pornography business. This development was identified as a problem. According to Marina Adshade, a professor from the Vancouver School of Economics and the author of Dollars and Sex: How economics influences sex and love, having a monopoly in the pornography business has forced the producers to reduce their charges, and radically changed the work of performers "who are now under greater pressure to perform acts that they would have been able to refuse in the past", all at a lower price without profits for themselves.
Online pornography is available both for a fee and free of charge. The availability of free porn on the Internet has led to a decline in the business of mainstream pornography. Piracy is estimated to result in losses of some $2 billion a year for the porn industry. Budgets of many studios reduced considerably and contracts for performers became less common. Reportedly, applications by established pornography companies for porn-shoot permits in Los Angeles County fell by 95 percent during the period 2012 to 2015. According to Mark Spiegler, an adult talent agent, in the early 2000s female performers made about $100,000 a year. By 2017, the amount is about $50,000.
The technological era led to decline of the studio and "the rise of the pornography worker herself". Newer ways of monetization have opened for the pornography workers who are taking the path of entrepreneurship. In 1995, Jenna Jameson signed her first contract with the porn studio Wicked Pictures. After building a brand image for herself she started her own company ClubJenna, which by 2005 was reportedly earning an annual revenue of $30-$35 million. "Performers are hustlers now," said Chanel Preston (a performer who was also chairperson of the Adult Performer Advocacy Committee), while noting that performers have to be creative to sustain their income and reach audience, both of which, she said are mainly achieved through "feature dancing, selling merchandise, webcamming", among other activities. "Custom" pornography made according to the requests of customer clients has emerged as one new business niche. The average career for the new age performer lasts about four to six months. Before moving on to the business side, adult performers use studio works to advertise and build a brand image for themselves. They acquire an audience who would later pay at personal website or webcam performances. Commercial webcamming, which emerged in the 1990s as a niche sector in the adult entertainment industry, grew to become a multibillion-dollar business by the mid-2020s.
The exact economic size of the porn industry in the early-twenty-first century is unknown to anyone. Kassia Wosick, a sociologist from New Mexico State University, estimated the global porn market value at $97 billion in 2015, with the US revenue estimated at $10 and $12 billion. IBISWorld, a leading researcher of various markets and industries, calculated total US revenue to reach $3.3 billion by 2020.
Pornographers have taken advantage of each major technological advancement for the production and distribution of their services. Pornography has been called an "erotic engine" and a driving force in the development of various media related technologies from the printing press, through photography (still and motion), to satellite TV, Home video, and streaming media.
One of the world's leading anti-pornography campaigners, Gail Dines, has stated that "the demand for porn has driven the development of core cross-platform technologies for data compression, search, transmission and micro-payments." Many of the technological developments that had been led by pornography have benefited other fields of human activity too. In the early 2000s, Wicked Pictures pushed for the adoption of the MPEG-4 file format ahead of others, this later became the most commonly used format across high-speed Internet connections. In 2009, Pink Visual became one of the first companies to license and produce content with a software introduced by a small Toronto-based company called "Spatial view", which later made it possible to view 3D content on iPhones.
As an early adopter of innovations, the pornography industry has been cited to be a crucial factor in the development and popularization of various media processing and communication technologies. From innovative smaller film cameras, to the VCRs, and the Internet, the porn industry has employed newer technologies much ahead than other commercial industries, this early adoption provided the developers their early financial capital, which aided in the further development of these technologies. The success of innovative technologies is predicted by their greater use in the porn industry.
— Susan Struble, spokesperson of Sun Microsystems
Pornographic content accounted for most videotape sales during the late 1970s. The pornography industry has been considered an influential factor in deciding the format wars in media, including being a factor in the VHS vs. Betamax format war (the videotape format war) and the Blu-ray vs. HD DVD format war (the high-def format war). Piracy, the illegal copying and distribution of material, is of great concern to the porn industry. The industry has been the subject of many litigations and formalized anti-piracy efforts.
Many of the innovative data rendering procedures, enhanced payment systems, customer service models, and security methods developed by pornography companies have been co-opted by other mainstream businesses. Pornography companies served as the basis for a large number of innovations in web development. Much of the IT work in porn companies is done by people who are referred to as a "porn webmaster", often paid well in what are small businesses, they have more freedom to test innovations compared to other IT employees in larger organizations who tend to be risk-averse.
Some pornography is produced without human actors at all. The idea of computer-generated pornography was conceived very early as one of the obvious areas of application for computer graphics. Until the late 1990s, digitally manipulated pornography could not be produced cost-effectively. In the early 2000s, it became a growing segment as the modeling and animation software matured, and the rendering capabilities of computers improved. Further advances in technology allowed increasingly photorealistic 3D figures to be used in interactive pornography. The first pornographic film to be shot in 3D was 3D Sex and Zen: Extreme Ecstasy, released on 14 April 2011, in Hong Kong.
The various mediums for pornography depictions have evolved throughout the course of history, starting from prehistoric cave paintings, about forty millennia ago, to futuristic virtual reality renditions. Experts in the pornography business predict more people in the future would consume porn through virtual reality headsets, which are expected to give consumers better personal experiences than they can have in the real world. Speculations are rife about an increased presence of sex robots in the future pornography productions.
Pornography is a product made by adults for the consumption by adults. The consumption of which has become more common among people due to the expansive use of the Internet. About 90% of pornography is consumed on the Internet with consumers preferring content that is in tune with their sexuality. Pornography has been found to be a significant influencer of people's ideas about sex in the digital age. Pornographic websites rank among the top 50 most visited websites worldwide. XVideos and Pornhub are the two most visited pornographic websites worldwide.
The popular pornographic website Pornhub reported that for the year 2016, the website was visited about 23 billion times, and viewers watched a cumulative total of 4,599 billion hours of pornographic videos online. In 2017 Pornhub reportedly registered 28.5 billion visits with an average of 81 million visits per day. "MILF" and "stepmom" were the two most searched terms worldwide. During the year 2019 Pornhub received 42 billion visits with an average of 115 million visits per day. The most searched for genres on Pornhub in 2019 are lesbian, hentai, fauxcest, milf, big ass, and creampie. Majority of adult consumers tend to be male, unmarried, with higher levels of education. Younger people are more frequent consumers of porn than older people. There's been a gradual increase in the consumption rates across different age groups with increased availability of free porn over the Internet.
Researchers at McGill University ascertained that on viewing pornographic content, men reached their maximum arousal in about 11 minutes and women in about 12 minutes. An average visit to a pornographic website lasts for 11.6 minutes. Both marriage and divorce are found to be associated with lower subscription rates for adult entertainment websites. Subscriptions are more widespread in regions that have higher measures of social capital. Pornographic websites are most often visited during office hours. As per a recent CNBC report, seventy per cent of online-porn access in the US happens between nine-to-five hours.
Sexual arousal and sexual enhancement tend to be the primary motivations among the self-reported reasons by users for their pornography consumption. Studies had found that greater levels of psychological distress leads to higher rates of pornography consumption. Pornography may provide a temporary relief from stress, or anxiety. A need to assuage coping and boredom is also found to result in higher consumption of pornography.
A vast majority of men and considerable number of women in the US use porn. A study in 2008 found that among University students aged 18 to 26 located in six college sites across the United States, 67% of young men and 49% of young women approved pornography viewing, with nearly 9 out of 10 men (87%) and 31% women reportedly using pornography. The Huffington Post reported in 2013 that porn websites registered higher number of visitors than Netflix, Amazon, and Twitter combined. A 2014 poll, which asked Americans when they had "last intentionally looked at pornography", elicited a result that 46% of men and 16% of women in the age group of 18–39 did so in the past week. A 2016 study reported that about 70% of men and 34% of women in romantic relationships use pornography annually.
Since the late 1960s, attitudes towards pornography have become more positive in Nordic countries, in Sweden and Finland the consumption of pornography has increased over the years. A 2006 study of Norwegian adults found that over 80% of the respondents used pornography at some point in their lives. A difference of 20% between men and women was observed in their respective use. In 2012 and 2013, interviews with large number of Australians revealed that in the past year 63% of men and 20% of women had viewed pornography.
A 2020 Egyptian study surveying 15,027 individuals in Arab countries noted a prevalence of pornography use "nearly similar to Danish, German, and American ones".
In 2021, it was estimated that in modern countries, 46–74% of men and 16–41% of women are regular users of pornography. In 2022, a national survey in Japan, of men and women aged 20 to 69 revealed that 76% of men and 29% of women had used pornography as part of their sexual activity. A 2023 study reported that in Netherlands, young men who watched porn in the previous six months ranged between 65% (13–15 year olds) up to 96% (22–24 year olds), and among young women between 22% (13–15 year olds) up to 75% (22–24 year olds).
Sex and the law |
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The legal status of pornography varies widely from country to country. Regulating hardcore pornography is more common than regulating softcore pornography. Child pornography is illegal in almost all countries, and some countries have restrictions on rape pornography and zoophilic pornography.
Pornography in the United States is legal provided it does not depict minors, and is not obscene. The community standards, as indicated in the Supreme Court decision, of the 1973 Miller v. California case determine what constitutes as "obscene". The US courts do not have jurisdiction over content produced in other countries, but anyone distributing it in the US is liable to prosecution under the same community standards. As the courts consider community standards foremost in deciding any obscenity charge, the changing nature of community standards over the course of time and place makes instances of prosecution limited.
In the United States, a person receiving unwanted commercial mail that he or she deems pornographic (or otherwise offensive) may obtain a Prohibitory Order. Many online sites require the user to tell the website they are a certain age and no other age verification is required. A total of 16 states and the Republican Party have passed resolutions declaring pornography a "public health" threat. These resolutions are symbolic and do not put any restrictions but are made to sway the public opinion on pornography. The notion of pornography as a threat to public health is not supported by any international health organization.
The adult film industry regulations in California requires that all performers in pornographic films use condoms. However, the use of condoms in pornography is rare. As porn does better financially when actors are without condoms many companies film in other states. Twitter is the popular social media platform used by the performers in porn industry as it does not censor content unlike Instagram and Facebook.
Pornography in Canada, as in the US, criminalizes the "production, distribution, or possession" of materials that are deemed obscene. Obscenity, in the Canadian context, is defined as "the undue exploitation of sex" provided it is connected to images of "crime, horror, cruelty, or violence". As to what is considered "undue" is decided by the courts, which assess the community standards in deciding whether exposure to the given material may result in any harm, with harm defined as "predisposing people to act in an anti-social manner".
Pornography in the United Kingdom does not have the concept of community standards. Following the highly publicized murder of Jane Longhurst, the UK government in 2009 criminalized the possession of what it terms as "extreme pornography". The courts decide whether any material is legally extreme or not, conviction for penalty include fines or incarceration up to three years. Content banned includes representations that are considered "grossly offensive, disgusting, or otherwise of an obscene character". While there are no restrictions on depiction of male ejaculation, any depiction of female ejaculation in pornography is completely banned in the UK, as well as in Australia.
In most of Southeast Asia, Middle East, and China, the production, distribution, and/or possession of pornography is illegal and outlawed. In Russia and Ukraine, webcam modeling is allowed provided it contains no explicit performances; in other parts of the world commercial webcamming is banned as a form of pornography.
Disseminating pornography to a minor is generally illegal. There are various measures to restrict minors' any access to pornography, including protocols for pornographic stores.
Pornography can infringe into basic human rights of those involved, especially when sexual consent was not obtained. Revenge porn is a phenomenon where disgruntled sexual partners release images or video footage of intimate sexual activity of their partners, usually on the Internet, without authorization or consent of the individuals involved. In many countries there has been a demand to make such activities specifically illegal carrying higher punishments than mere breach of privacy, or image rights, or circulation of prurient material. As a result, some jurisdictions have enacted specific laws against "revenge porn".
In the US, a July 2014 criminal case decision in Massachusetts — Commonwealth v. Rex, 469 Mass. 36 (2014), made a legal determination as to what was not to be considered "pornography" and in this particular case "child pornography". It was determined that photographs of naked children that were from sources such as National Geographic magazine, a sociology textbook, and a nudist catalog were not considered pornography in Massachusetts even while in the possession of a convicted and (at the time) incarcerated sex offender.
Drawing the line depends on time, place and context. Occidental mainstream culture has been increasingly getting "pornified" (i.e. influenced by pornographic themes, with mainstream films often including unsimulated sexual acts). Since the very definition of pornography is subjective, material that is considered erotic or even religious in one society may be denounced as pornography in another. When European travellers visited India in the 19th century, they were dismayed at the religious representation of sexuality on the Hindu temples and deemed them as pornographic. Similarly many films and television programs that are unobjectionable in contemporary Western societies are labeled as "pornography" in Muslim societies. Thus, assessing a material as pornography is very much personalized; to rehash a cliché, "pornography is very much in the eye of the beholder".
In the United States, some courts have applied US copyright protection to pornographic materials. Some courts have held that copyright protection effectively applies to works, whether they are obscene or not, but not all courts have ruled the same way. The copyright protection rights of pornography in the United States has again been challenged as late as February 2012.
Performers working for pornographic film studios undergo regular testing for sexually transmitted infections (STIs) every two weeks. They have to test negative for: HIV, trichomoniasis, chlamydia, gonorrhea, syphilis, and hepatitis B and C before showing up on a set and are then inspected for sores on their mouths, hands, and genitals before commencing work. The industry believes this method of testing to be a viable practice for safer sex as its medical consultants claim that since 2004, about 350,000 pornographic scenes have been filmed without condoms and HIV has not been transmitted even once because of performance on set. However, some studies suggest that adult film performers have high rates of chlamydia and/or gonorrhea infection, and many of these cases may be missed by industry screening because these bacteria can colonize many sites on the body.
In the initial years, studios assessed performers suitability on the results from their blood and urine tests. According to a 2019 study by the American College of Emergency Physicians, swab tests offer better insight than urine samples for detecting bacterial STIs like chlamydia and gonorrhea. Performers such as Cherie DeVille have emphasized swab tests for safer sex. According to Angela White, a prominent pornography performer, studios won't allow performers to work unless they are completely clean, "So for me, because I work so much, I’m testing every 12 days – and that is a full sweep of STIs such as chlamydia, gonorrhoea, syphilis, HIV and trichomoniasis. We’re doing throat swabs, vaginal swabs and anal swabs." she said. Allan Ronald, a Canadian doctor and HIV/AIDS specialist who did groundbreaking studies on the transmission of STIs among prostitutes in Africa, said there's no doubt about the efficiency of the testing method, but he felt a little uncomfortable: "because it's giving the wrong message — that you can have multiple sex partners without condoms — but I can't say it doesn't work."
Relatedly, it has been found that individuals who received little sex education and/or perceive pornography as a source of information about sex, are less apt to use condoms in their own sex life, making themselves more susceptible to contract STIs. In 2020—the US National Sex Education Standards—released recommendations to incorporate "porn literacy" to students from grade 6 to 12 as part of sex education in the US.
Veteran performer and former nurse Nina Hartley, who has a degree in nursing, stated that the amount of time involved in shooting a scene can be very long, and with condoms in place it becomes a painful proposition as their usage is uncomfortable despite the use of lube, causes friction burn, and opens up lesions in the genital mucosa. Advocating the testing method for performers, Hartley said, "Testing works for us, and condoms work for outsiders."
Emphasizing that performers in the industry take necessary precautions like PrEP and are at lower risk to contract HIV than most sexually active persons outside the industry, many prominent female performers have vehemently opposed regulatory measures like Measure B that sought to make the use of condoms mandatory in pornographic films. Professional female performers have called the use of condoms on a daily basis at work an occupational hazard as they cause micro-tears, friction burn, swelling, and yeast infections, which altogether, they say, makes them more susceptible to contract STIs.
Pornography has been vouched to provide a safe outlet for sexual desires that may not be satisfied within relationships and be a facilitator of sexual fulfillment in people who cannot or do not want to have real-life partners. Pornography is viewed by people in general for various reasons; varying from a need to enrich their sexual arousal, to facilitate orgasm, as an aid for masturbation, learn about sexual techniques, reduce stress, alleviate boredom, enjoy themselves, see representation of people like themselves, know their sexual orientation, improve their romantic relationships, or simply because their partner wants them to. Researchers suggest four broad motivations for using pornography, namely: "using pornography for fantasy, habitual use, mood management, and as part of a relationship".
Men are found to consume pornography more frequently than women, with the intent for consumption that may vary with men more likely to use pornography as a stimulant for sexual arousal during solitary sexual activity, while women are more likely to use pornography as a source of information or entertainment, and rather prefer using it together with a partner to enhance sexual stimulation during partnered sexual activity. Studies have found that sexual functioning defined as "a person's ability to respond sexually or to experience sexual pleasure" is greater in women who consume pornography frequently than in women who do not. No such association was noticed in men. Women who consume pornography are more likely to know about their own sexual interests and desires, and in turn be willing and able to communicate them during partnered sexual activity, it has been reported that in women the ability to communicate their sexual preferences is associated with greater sexual satisfaction for themselves. Pornographic material is found to expand the sexual repertoire in women by making them learn new rewarding sexual behaviors such as clitoral stimulation and enhance their overall "sexual flexibility". Women who consume pornography frequently are more easily aroused during partnered sex and are more likely to engage in oral sex compared to the women who do not view pornography. Women users of pornography had reported (almost 50%) to have had engaged in cunnilingus, which research suggests is related to female orgasm, and to have had experienced orgasms more frequently than women who do not use pornography (87% vs. 64%). Most people, probably do not consider pornography use by a partner as indulging in infidelity.
A two year long survey (2018–2020) conducted to assess the role of pornography in the lives of highly educated medical university students, with median age of 24, in Germany found that pornography served as an inspiration for many students in their sex life. Pornography use among students was higher in males than in females, among the male students those who did not cheat on their partner or contracted an STI were found to be more frequent consumers of pornography. Although pornography use was more common among men, associations between pornography use and sexuality were more apparent in women. Among the female students, those who reported to be satisfied with their physical appearance have consumed three times as much pornography than the female students who had reported to be dissatisfied with their body. A feeling of physical inadequacy was found to be a restraining factor in the consumption of pornography. Female students who consume pornography more often had reported to have had multiple sexual partners. Both female and male students who enjoyed the experience of anal intercourse in their life were reported to be frequent consumers of pornography. Sexual content depicting bondage, domination, or violence was consumed by only a minority of 10%. More sexual openness and less sexual anxiety was observed in students who regularly consumed pornography. No association was noticed between regular pornography use and experience of sexual dissatisfaction in either female or male students. This finding was in concurrence with another finding from a longitudinal study, which demonstrated most pornography consumers differentiate pornographic sex from real partnered sex and do not experience diminishing satisfaction with their sex life.
Pornography has been noted for engrossing people "on more than masturbatory levels". Aesthetic philosophers have argued whether pornographic representations can be considered as expressions of art. Pornography has been equated with journalism as both offer a view into the unknown or the hidden aspects of people. French philosopher Michel Foucault remarked that, "it is in pornography that we find information about the hidden, the forbidden and the taboo". Scholars such as Linda Williams, Jennifer Nash, and Tim Dean believe pornography "is a form of thinking", comprised with ideas that are way more reflective about sexuality and gender than what the creators or consumers of pornography intend. Pornography has been referred by people as a means to explore their sexuality. People have reported porn being helpful in learning about human sexuality in general. Studies recommend clinical practitioners to use pornography as an instruction aid to show their clients new and alternative sexual behaviors as part of psychosexual therapy. British psychologist, Oliver James, known for his work on 'happiness', stated that "a high proportion of men use porn as a distraction or to reduce stress ... It serves an anti-depressant purpose for the unhappy." Surveys had noticed a gradual increase in acceptance rates of pornography over the years among the general American public.
Feminist movements in the late 1970s and 1980s dealt with the issues of pornography and sexuality in debates that are referred to as the "sex wars". While some feminist groups seek to abolish pornography believing it to be harmful, other feminist groups oppose censorship efforts insisting it is benign. A large scale study of data from the General Social Survey (2010–2018) refuted the argument that pornography is inherently anti-woman or anti-feminist and that it drives sexism. The study did not find a relationship between "pornography viewing" and "pornography tolerance" with higher sexism—a posit that was held by some feminists; it instead found higher pornography consumption and pornography tolerance among men to be associated with their greater support for gender equality. The study concluded that "pornography is more likely to be about the sex rather than the sexism".
People who supported regulated pornography expressed lesser attitudes of sexism than people who sought to abolish pornography. Notably, non-feminists are found more likely to support a ban on pornography than feminists. Many feminists, both male and female, have reflected that the effects of pornography on society are neutral. Adult users of pornography were found more egalitarian than nonusers, they are more likely to hold favorable attitudes towards women in positions of power and in workplaces outside home than the nonusers.
A 2016 study authored by Black feminists criticized the American adult entertainment industry for alleged omission and exclusion of Black women in pornographic representations, particularly in the interracial genres. As pornography becomes a kind of manual on how bodies in pleasure can look, and is "one of the few places where we see our bodies--and other people's bodies," it becomes imperative on pornography to represent "variety of forms", stated the feminist scholars. Anti-pornography feminists argue that aesthetics of pornography demote Black women with undertones of racism. Gender studies scholars Mireille Miller-Young and Jennifer Christine Nash, in their writings on intersectionality of race and pornography, noted that Black people have been depicted as being hypersexual and Black women—more objectified. The scholars also noted major discrepancies in pay rates of the performers, White women have historically made 75 percent more per scene and sometimes still make 50 percent more compared to Black women.
Feminist resentment about pornography tend to focus on two concerns: that pornography depicts violence and aggression, and that pornography objectifies women. Multiple analyses of pornographic videos found that Women have been overwhelmingly at the receiving end of aggression from male performers; with the reaction of Women being either positive or neutral towards aggression, which is at odds considering a report that found only 14.2% of US adult women find pain during sex as appealing. Two studies in the 1990s found that Black women were the targets of aggression and faced more violence from both Black and White men than did White women. However, more recent research from 2018 found that Black women were the least likely group of women to suffer nonconsensual aggression and are more likely to receive affection from their male partners. While Black men engaged in fewer intimate behaviors than White men; White women were found more likely to experience violence during sexual activity with White men than with Black men.
Concerning Asian women, a 2016 study based on a sample of 3053 videos from Xvideos.com, found that in the 170 videos of the Asian women category, there was much less aggression, less objectification, but also the women had less agency. However, another study found that in a sample of 172 videos from Pornhub, the 25+ videos of the Asian/Japanese category had considerably more aggression than those of other categories. A 2002 study of "internet rape sites" found that among the 56 clear pictures they found, 34 had Asian women, and nearly half the sites had either an image or a text reference to an Asian woman. Findings on depictions of Asian women in pornography aren't consistent in scientific literature.
The prevalence of aggression in pornography appears to be changing. A 2018 study of popular videos on Pornhub found that segments of aggression towards women are fewer now, and they have reduced gradually over the past decade with viewers preferring content where women genuinely experience pleasure.
Prominent anti-pornography feminists such as Andrea Dworkin and Catharine MacKinnon argue that all pornography is demeaning to women, or that it contributes to violence against women–both in its production and in its consumption. The production of pornography, they argue, entails the physical, psychological, or economic coercion of the women who perform in it. They charged that pornography eroticizes the domination, humiliation, and coercion of women, while reinforcing sexual and cultural attitudes that are complicit in rape and sexual harassment.
Other sex work exclusionary feminists have insisted that pornography presents a severely distorted image of sexual consent, and it reinforces sexual myths like: women are readily available–and desire to engage in sex at any time–with any man–on men's terms–and always respond positively to men's advances.
In contrast to the objections, other feminist scholars "ranging from Betty Friedan and Kate Millett to Karen DeCrow, Wendy Kaminer and Jamaica Kincaid" have supported the right to consume pornography. The anti-porn feminist stranglehold began to loose when sex-positive feminists like Susie Bright, performers Nina Hartley, and Candida Royalle affirmed the rights of women to consume and produce porn.
The works of Camille Paglia established that westerners have been "pagan celebrants" for long and pornography has been an inseparable part of western culture. Wendy McElroy has noted that both feminism and pornography are mutually related, with both thriving in environments of tolerance, and both repressed anytime regulations are placed on sexual expression. Societies where pornography and sexual expression is prohibited are more likely to be the places where women are often subjected to violence and sexual abuse.
The lesbian feminist movement of the 1980s is considered a seminal moment for the women in the porn industry as more women entered into the developmental side. This allowed women to gear porn more towards women as they knew what women wanted, both from the perspective of actresses as well as the female audience. The movement also sparked the arrival of making lesbian porn for lesbians instead of men. This change has been considered good, as for a long time the porn industry had been directed by men for men.
Furthermore, the advent of the VCR, Home video, and affordable Video cameras allowed for the possibility of feminist pornography. Feminist porn directors are interested in challenging representations of men and women, as well as in providing sexually-empowering imagery that features many kinds of bodies. Angela White started her own production company, AWG Entertainment, in which she has complete creative control over the content—from her partners, to the location, costumes, and the "vibe" of the video. "I am a feminist, so what I create is feminist, and I produce ethical porn, which is when everything is consensual." she said.
Women are more likely to consume porn that is "female-centered" and feature acts such as cunnilingus, a study of pornographic videos found that when men spend more time performing cunnilingus they have higher volumes of ejaculate, an increase in sexual arousal resulting from exposure to the vaginal secretion 'copulins' during cunnilingus is reasoned to be the cause. Female-centric porn is mostly made by women, in these works the initiation of sexual activity is done by the female. Porn for women is identified by factors like greater attention to "sensual surroundings" and "soft focus camerawork" rather than on explicit depiction of sexual activity, making the productions more warm and humane compared to the traditional porn made for hetrosexual men.
Porn industry has been noted for being one of the few industries where women enjoy a power advantage in the workplace. "Actresses have the power," Alec Metro, one of the men in line, ruefully noticed of the X-rated industry. A former firefighter who claimed to have lost a bid for a job to affirmative action, Metro was already divining that porn might not be the ideal career choice for escaping the forces of what he called "reverse discrimination". Female performers can often dictate which male actors they will and will not work with. Porn—at least, porn produced for a heterosexual audience—is one of the few contemporary occupations where the pay gap operates in the favor of women. The average actress makes fifty to a hundred per cent more money than her male counterpart.
Psychologists consider pornography to be of particular relevance in the study of intimate relationships and the development of adolescent sexuality. Mainstream psychology is mostly concerned with the study of effects of pornography, while critical psychology and applied psychology is engaged in more nuanced and academic study of pornography. Problematic pornography use is assessed in clinical psychology.
A 2013 study refuted the notion that porn actresses have higher rates of psychological problems than regular women. The study compared 177 porn actresses with regular women of similar age, ethnicity, and marital status, and found that the porn actresses had "higher levels of self-esteem, positive feelings, social support, sexual satisfaction, and spirituality" compared to the regular women.
In analytical psychology, human sexual instincts and religious-spiritual instincts are considered tightly associated with each other, with both sharing a common instinctual objective, which, as Carl Jung acknowledged, is the striving of the psyche for "wholeness". The psyche of a person is understood to be differentiated, as being made-up of psychological traits that are feminine and masculine in nature. According to Jung, this differentiation allowed the formation of opposite polarities, which made "consciousness possible". According to psychologist and author Giorgio Tricarico, as an individual moves through various life experiences, their psyche approaches wholeness or the state of "non-differentiated"—a realm of unified impersonal consciousness—considered belonging to the sacred or divine. In Hindu cosmological view, the universe is weaved from the two coexisting generative principles: feminine and masculine. The Goddess or Shakti (spirit, feminine principle) is the "pure consciousness" underlying all existence. Shakti, embraced by Shiva (matter, masculine principle), both together in "perpetual union", form the nondualistic "Absolute".
Shiva and Shakti in a state of "copulation" represent the flow of "erotic energy" in an individual. Sigmund Freud called the feminine Shakti "libido that cannot be simply repressed." Self-realization or becoming aware of the " 'deep' femininity" entails dealing with the powerful sexual energy. Schools of religious thought such as the Kundalini yoga and Tantra, which involve using sexual energy for the purpose of self-realization had been developed in India. The concept of gender had been studied in Hinduism for long, where the conclusion was arrived that the human self (Ātman), an emanation from the nondual Absolute—is androgynous, and is encased in human bodies, which themselves are androgyne in the sense that every body is a compound of the feminine (spirit) and the masculine (matter) principles. Sexuality is considered a creative function of nature to reunite the two principles with the nondual Absolute. The masculine and the feminine principles of the self have been identified to the deities Shiva and Shakti, who make-up the two sexual polarities; by establishing a connection between the two for the flow of erotic energy (as in the case of an electric circuit between positive and negative terminals for the flow of electric current), in one's own being—by the means of sexual stimulation—through "erotic visualization" or "ritual copulation", the self would "divest" from its material identity and realign into the "bipolar being", which, then represents a unit microcosm mirroring the nondual macrocosm; thus an individual attains bliss in being one with the absolute. The Hindu tantric idea of the feminine and the masculine arriving at unity in the "divine feminine" or the "unified divine consciousness", is analogous to the Analytical psychology idea of "coincidentia oppositorum" where the Anima/animus unite with the "spirit" to become one or whole.
In the Hindu tantric view, the women who participate in union rituals, thereby enabling men to attain self-realization are regarded as shakti or the goddess, as they are believed to embody her. Recognition of the deity in an objective woman is centered upon a man's acceptance of the subjective feminine and the primacy of her desires. Tricarico professed that modern-day pornography in its essence is a "desacralised, technological, and consumerist" equivalent of the ancient sacred prostitution – a custom that involved honoring of the sacred feminine and worship of the prostitutes as goddess. The feminine is believed to embody particular qualities of the sacred or divine more broadly and deeply than the masculine, consequently in women the ability to incorporate nondualistic awareness is assumed to be higher. Tricarico argued that women in porn, through their performances of many sexual acts, would inadvertently approach the non-differentiated state. An effect which he called the "intimation of hierophany". "Porn actresses may embody the medium to enter what used to be the realm of the sacred", he said. They have been likened to the "descendants of the lost goddesses" who are now offering the gift of the "numinous" to all through their performances, but are unacknowledged or devalued for their contributions.
The use of epithets like "bitch", "whore", "slut" for sexually active women has been attributed to the denial of the subjective feminine by men. The subdued acceptance of female sexuality, as a value in its own right, is manifested when a man's admiration for the "bitch" gets subtended if she happens to be his wife or girlfriend. Along with showing "admiration, lust, gratitude, and desire", men show brazen hate and disgust towards women, this behavioral dichotomy had been ascribed to the "patriarchal hypocrisy" embedded in men. The unconscious perception by men of the greater ability in women to reach the undifferentiated state of psyche is reasoned to be a cause for their intentional humiliation, wilful devaluation, and deliberate belittlement of women.
According to Julia Kristeva, a psychoanalyst scholar, the psychological rejection and fear of the mother figure in males is the root cause for their behaviors that seek to subjugate women. Men in their infancy live in a state of "undifferentiated physical and psychic fusion" with the mother, experiencing "emotional exhilaration and jouissance". However, as they mature, sensing their separateness from the mother, they seek to become independent subjects and take recourse to paternal images and patriarchal behaviors with the hope of eliminating any possible further "undifferentiated/psychotic fusion" with the mother as they feel threatened by it. According to psychoanalyst Melanie Klein, the rejection and fear of the maternal image, in females, leads them to reject their own femininity. Tricarico hoped that porn becomes a place where men discard patriarchal antics, women embrace the sacred aspects, and audience incorporate porn as a joyful experience for the body – a genuine form of play that helps them approach the non-differentiated state. In being with other, we differentiate ourselves, and experience jouissance whilst becoming a unit being.
Many religions have long and vehemently opposed a wide range of sexual behaviors, as a result religious people are found highly susceptible to experience great distress in their use of pornography. Religious people who use pornography tend to feel sexually ashamed. Sexual shame—which arises from a person's perception of their self in other peoples mind, and a negative assessment of their own sexuality—is considered a powerful factor that over time governs an individual's behavior. As sexuality is interwoven into one's personal identity, sexual shame or sexual embarrassment are found to attack the person's very sense of self.
When a sexual shaming event occurs, the person attributes causation to oneself, resulting in self condemnation, and experience feelings of sadness, loneliness, anger, unworthiness, and rejection, along with a perceived judgment of their self by others. In this mental landscape, a fear arises that ones sexual self needs to be hiden. This psychological process initiates and fuels further shame and lowers one's self-esteem. Sexual shame constricts the "psychic space for free play with one's sexuality". Sexual shame in people begets more shame, and leads to a cycle of powerlessness culminating in deepening negative emotions. Those who tend to feel shame easily are found to be at greater risk for depression and anxiety disorders. According to clinical psychologist Gershen Kaufman, all Sexual disorders are majorly "disorders of shame".
The cause of attributing shame to sexuality is traced back to the biblical interpretation of nakedness being shameful. Much of the Christian mythology presented sexuality as an obstacle to be surmounted in the way of salvation. The major abrahamic religions condemn and consider all forms of nonmarital and nonreproductive sexual pleasure as unacceptable. In Hinduism, bhoga (sexual pleasure) is celebrated as a value in itself and is considered one of the two ways to nirvana, the other being the more demanding yoga. A central concept in Hinduism, purushartha, advocates pursuit of the four main goals for happiness: dharma (virtue), artha (riches), kama (pleasure), and moksha (spiritual knowledge). The pursuit of Kama was elaborated by the sage Vatsyayana in his treatise Kama Sutra, which states that sexual pleasure and food are essential for the well-being of the body, and that on both of them are founded virtue and prosperity. Food, despite causing indigestion sometimes, would still be consumed regularly, and so it must be with pleasure, which must be pursued with caution while eliminating unwanted or harmful effects. As no one abstains from cooking food worrying about beggars who ask for it, or restrain from sowing wheat fearing animals that destroy the crop, similarly claims Vatsyayana, one must pursue kama even though dangers exist; and those who are accomplished in Dharma, Artha, and Kama would attain highest happiness in this world and hereafter.
According to the Buddha, happiness is of two types: one derived from "domestic life" and the other from "monastic life", and between the two, monastic kind is "superior". As a result of the Buddha's effective advocacy for monasticism, in Buddhist communities, marriage and divorce remained civil matters and never acquired sacremental significance. Counsel over sex life for householders was minimal, while for the monks it was extensive as in Vinaya since all sexual behaviors were meant to be suppressed for the sake of enlightenment. The early Buddhist texts castigated women as detrimental beings. The Buddha himself said often that a woman's body is "a vessel of impurity, full of stinking filth. It is like a rotten pit ... like a toilet, with nine holes pouring all sorts of filth." Once when it came to his notice that a monk, Suddina, transgressed celibacy with his wife for the sake of progeny, the Buddha chided him saying, "It were better for you, foolish man, that your male organ should enter the mouth of a terrible and poisonous snake, than that it should enter a woman." Per the Buddha, all sexual desires are incompatible with enlightenment. In Buddhism, people who even derive pleasure from watching others engage in sexual activity were relegated as pandaka (pusillanimous). The Buddha said sexuality is a fetter that must be evaded completely and men who engage with it are "impure" and will not be freed from "old age". After the Buddha died in old age, subsequent generations of Buddhists resolved their problematic attitudes towards sex by accommodating different views.
According to Indonesia's foremost Islamic preacher, Abdullah Gymnastiar, shame is a noble emotion commanded in the Quran and was held high by Muhammad, who had been quoted as saying "Faith is compiled of seventy branches... and shame is one of them." To cultivate shame in Muslims, their sexual gaze needs to be checked, as unchecked gaze is believed to be the door through which Satan enters and soils the heart. In 2006, when anti-pornography protests erupted in Indonesia, the world's most populous Muslim-majority country, over the publication of the inaugural Indonesian edition of Playboy – Abdullah called for a legislation to ban pornography and embarked on a mission to shroud the state with a sense of shame, giving the slogan "the more shameful, the more faithful". During these protests, Indonesia's foremost Islamic newspaper, Republika, published daily front-page editorials which featured a logo of the word pornografi crossed out with a red X. The Jakarta office of Playboy Indonesia was ransacked by the members of Islamic Defenders Front (Front Pembela Islam or FPI), and bookstore owners were threatened not to sell any issue of the magazine. Consequently, in December 2008, Indonesian lawmakers signed an anti-pornography bill into law with overwhelming political support.
Highly religious people are more likely to support policies against pornography such as censorship than less religious people. Ironically, regions with highly religious and conservative people were found to search for more pornography on the Internet. Religious people are prone to having obsessive thoughts regarding sin and punishment by God over their pornography use causing them to feel ashamed, and perceive themselves to have pornography addiction while also suffering from OCD related symptoms. A study of sexually active religious people found that those who are highly spiritually matured have less shame, while those who are not spiritually matured have high shame.
As per evaluation by medical professionals, pornography can neither be good nor bad as it does not endorse or advocate a single set of values regarding sex. As such, individuals may introspect their own values with regards to sex while evaluating pornography. The relationship between pornography and its audience is found to be complex. While many users reported their use to have had positive effects, others especially women were found to be troubled with body image issues, the cause of which is attributed to the unrealistic image of "beauty" that pornography portrays. The increasing prevalence of alleged beauty enhancing procedures such as breast augmentation and labiaplasty among the common populace has been attributed to the popularity of pornography.
Data from pornographic websites regarding the viewing habits of people is studied by academics to analyze the sexual preferences and mating choices. More often men look for women who have larger chest and hips, with a smaller Waist–hip ratio. Women are found to prefer men who are taller, stronger, appear highly masculine, and are in roles that can provide resources while being protective (CEO, doctor, athlete, lawmen).
Studies on harmful effects of pornography include finding any potential influence of pornography on rape, domestic violence, sexual dysfunction, difficulties with sexual relationships, and child sexual abuse. A longitudinal study had ascertained that pornography use cannot be a perpetrating factor in intimate partner violence. A 2020 study that analyzed depictions in video-pornography found that normative sexual behaviors (e.g., vaginal intercourse, fellatio) were the most commonly depicted, while depictions of extreme acts of violence and rape were very rare. There is no clear evidence to assume that pornography is a cause of rape. Several studies conclude that liberalization of porn in society may be associated with decreased rates of rape and sexual violence, while others have suggested no effect, or are inconclusive. No correlation has been found between pornography use and the practice of sexual consent or lack thereof.
Mental health experts are divided over the issue of pornography use being a problem for people. While some literature reviews suggest pornography use can be addictive, insufficient evidence exists to draw conclusions. Scholars have stated that pornography use has no implication on public health as it does not meet the definition of a public health crisis. Neuroscience has noted that minds of the young are in developmental stages and exposure to emotionally charged material such as pornography would likely have an impact on them unlike on adults, and has suggested caution while enabling potential access to such material.
Opposition to pornography use has been associated to many issues with sexual satisfaction, gender violence, and marital quality (wives watching pornography more frequently scored much better than the rest). Some issues of doxing and revenge porn had been linked to a few pornography websites. Since the mid-2010s deepfake pornography has become an issue of concern.